Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the TimesWells, H. G. (Herbert George)
Philosophy
Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times
Wells, H. G. (Herbert George)
English fiction -- 20th century; Satire
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| |
| THIS CLASSICAL VILLA |
| |
| with magnificent gardens in the Victorian-Italian |
| style reaching down to the sea, and |
| replete with Latin and Greek inscriptions, |
| a garden study, literary associations, fully |
| matured Oxford allusions, and a great |
| number of conveniently arranged |
| bedrooms, to be |
| |
| LET OR SOLD. |
| |
| _Apply to the owner_, |
| Mr. W. H. MALLOCK, |
| |
| original author of |
| "The New Republic." |
| |
| _Key within_. |
| |
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"'This _must_ be it, my dear Archer,' says one of the occupants of the
motor-car, and he rises, throws aside his furs, and reveals--the
urbane presence of the Encyclopædist. He descends, and rings a
clangorous bell.... Eh?"
"It's the garden of the 'New Republic'?"
"Exactly. Revisited. It's an astonishing thing. Do you know the date
of the 'New Republic'? The book's nearly forty years old! About the
time of Matthew Arnold's 'Friendship's Garland,' and since that time
there's been nothing like a systematic stocktaking of the
English-speaking mind--until the Encyclopædist reported 'no effects.'
And I propose to make this little party in the motor-car a sort of
scratch expedition, under the impetus of the proposed Revival of
Thought. They are prospecting for a Summer Congress, which is to go
into the state of the republic of letters thoroughly. It isn't perhaps
quite Gosse's style, but he has to be there--in a way he's the
official British man of letters--but we shall do what we can for him,
we shall make him show a strong disposition towards protective ironies
and confess himself not a little bothered at being dragged into the
horrid business. And I think we must have George Moore, who has played
uncle to so many movements and been so uniformly disappointed in his
nephews. And William Archer, with that face of his which is so exactly
like his mind, a remarkably fine face mysteriously marred by an
expression of unscrupulous integrity. And lastly, Keyhole."
"Why Keyhole?" I asked.
Public-domain text, read in full here on John Shaqi.
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