Ahead the path led between box-hedges to a wall, and above the wall was a pine-tree, and the Editor of the _New Age_ was reascending the pine-tree in a laborious and resolute manner, gripping with some difficulty in his hand a large and very formidable lump of unpleasantness.... With a common impulse the two gentlemen turned back towards the house. Mr. James was the first to break the momentary silence. "And so, my dear Moore, and so--to put it shortly--without any sort of positive engagement or entanglement or pledge or pressure--I _came_. And at the proper time and again with an entirely individual detachment and as little implication as possible I shall _go_...." Subsequently Mr. James was to have buttonholed Hallery's American, and in the warm bath of his sympathy to have opened and bled slowly from another vein of thought. "I admit the abundance of--what shall I say?--_activities_ that our friend is summoning, the tremendous wealth of matter, of material for literature and art, that has accumulated during the last few decades. No one could appreciate, could savour and watch and respond, more than myself to the tremendous growing clangour of the mental process as the last half-century has exhibited it. But when it comes to the enterprise of gathering it together, and not simply just gathering it together, but gathering it _all_ together, then surely one must at some stage ask the question, _Why_ all? Why, in short, attempt to a comprehensiveness that must be overwhelming when in fact the need is for a selection that shall not merely represent but elucidate and lead. Aren't we, after all, all of us after some such indicating projection of a leading digit, after such an insistence on the outstandingly essential in face of this abundance, this saturation, this fluid chaos that perpetually increases? Here we are gathering together to celebrate and summarize literature in some sort of undefined and unprecedented fashion, and for the life of me I find it impossible to determine what among my numerous associates and friends and--to embrace still larger quantities of the stuff in hand--my contemporaries is considered to be the literature in question. So confused now are we between matter and treatment, between what is stated and documented and what is prepared and presented, that for the life of me I do not yet see whether we are supposed to be building an ark or whether by immersion and the meekest of submersions and an altogether complete submission of our distended and quite helpless carcasses to its incalculable caprice we are supposed to be celebrating and, in the whirling uncomfortable fashion of flotsam at large, indicating and making visible the whole tremendous cosmic inundation...." [Illustration: _Mr. James converses with Mr. George Moore upon matters of vital importance to both of them._] § 3