He did this of set intention. He distrusted a certain freakishness of his finger-tips that he thought might have injured him with his multitudinous master. He knew his holograph manuscript would certainly get him into trouble. He employed a lady, the lady who figures in his will, Miss Bathwick, as his amanuensis. In Miss Bathwick was all his security. She was a large, cool, fresh-coloured, permanently young lady, full of serious enthusiasms; she had been faultlessly educated in a girls' high school of a not too modern type, and she regarded Boon with an invincible respect. She wrote down his sentences (spelling without blemish in all the European languages) as they came from his lips, with the aid of a bright, efficient, new-looking typewriter. If he used a rare word or a whimsical construction, she would say, "I beg your pardon, Mr. Boon," and he would at once correct it; and if by any lapse of an always rather too nimble imagination he carried his thoughts into regions outside the tastes and interests of that enormous _ante-bellum_ public it was his fortune to please, then, according to the nature of his divagation, she would either cough or sigh or--in certain eventualities--get up and leave the room. By this ingenious device--if one may be permitted to use the expression for so pleasant and trustworthy an assistant--he did to a large extent free himself from the haunting dread of losing his public by some eccentricity of behaviour, some quirk of thought or fluctuation of "attitude" that has pursued him ever since the great success of "Captain Clayball," a book he wrote to poke fun at the crude imaginings of a particularly stupid schoolboy he liked, had put him into the forefront of our literary world. § 4