Borderland : $b a country-town chronicleFothergill, Jessie
General
Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
Here Michael saw that Otho fixed his eyes upon Magdalen’s face, and
without speaking, offered her his arm. Michael watched, with a
neutral but strong interest, to see what she would do. She took the
offered arm, without any smile, certainly, but without any
appearance of being angry or offended. Neither of them spoke. They
dropped behind Gilbert and Eleanor, who were also arm in arm.
Then when they stood outside, Michael, pausing to see if Roger would
join him again, heard Miss Askam’s voice—
‘There is our carriage. We had better let it go round again, and
wait till Miss Wynter has got off, as she is alone.’
‘No,’ said Otho, signing to the Thorsgarth coachman to stop. ‘You
get in, Eleanor; Langstroth will look after you. I’m going to see
Magdalen home.’
‘_Otho!_’ exclaimed his sister, in a vehement whisper, ‘how _can_
you behave in this manner?’
But Magdalen appeared to accept the announcement with the utmost
calm, saying—
‘Well, there is the carriage, Otho, coming after yours.’
Then Michael saw how Gilbert led Eleanor, who looked like a person
in a dream, to her carriage; handed her in, followed her, and they
were driven away. Michael, before stepping forth himself, gave a
glance at the figures of the other two; saw Otho say something with
a laugh to Magdalen. Then the Balder Hall brougham drove up. Michael
waited no longer. It was evident that Roger must have gone when Ada
did. It was useless to wait for him, and he took his way home.
CHAPTER XXV
IN THE ANTE-ROOM
When the Thorsgarth party arrived at the concert-room, before all
the disturbance had taken place, Magdalen went straight to that
waiting-room where the performers sat, and which was just behind the
platform. She walked quickly thither, and did not know, until she
had entered the room, that Otho had followed her. But on turning to
close the door, she saw him there, and he walked in after her, not
looking at her at all, but casting a quick glance round the room, to
see who might be already present.
Those who were there, were Ada Dixon, and one or two other girls who
belonged to the choir, and were going to assist in the part-songs.
Ada looked very pretty, if a little commonplace and vulgar, in her
blue frock, and white fleecy shawl. She sat apart from her
companions in solitary dignity, and appeared to be studying her
song; and it was in this situation that Magdalen and Otho found her.
Ada looked up as they came in, and rose with a heightened colour.
Magdalen took no notice of Otho, but shook hands with Ada.
‘Well, Ada, how are you, and how is your song?’
‘Oh, I’m ready with mine, thank you, Miss Wynter; and there’s no
need to ask you about yours.’
‘Good evening, Miss Dixon,’ here said Otho, and he too advanced, and
shook hands with her. Ada looked both alarmed and conscious. He had
never done this before—at least, in Magdalen’s presence.
Public-domain text, read in full here on John Shaqi.
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