Borderland : $b a country-town chronicleFothergill, Jessie
General
Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
Seated up in the organ-loft, and looking into the mirror in front of
him, he could see, not only the vicar and his curate, but a good
many of the congregation too,—all diminished, reversed in position,
moving up and down silently, rising and sitting down again like
automata or dream-creatures. His sight was keen and long. He could
identify a good many of those who came in, and amongst them he saw
Ada and her father and mother. Ada, he perceived, was not so
prostrate under the shock of their quarrel as to have neglected the
claims of Christmas Day to be considered a _fête_ day in matters of
toilette. She was dressed gaily, and he saw a pretty face, looking
prettier still in the framework of a smart and becoming new bonnet.
It was a fresh, sweet face, seen thus in repose, and at a distance,
and his heart yearned towards its owner, and he tried to put out of
his mind the ugly recollection of the same face turned upwards
towards Otho Askam, with a smile, and afterwards looking at him,
cross, distorted, pouting.
Whether the music inspired him, or the sight of Ada, he knew not,
but there flashed suddenly into his mind the recollection that he
must most likely soon lose sight of her, for a considerable time at
any rate, and with this recollection the conviction that that was
the best thing that could possibly happen to them both. Separation
for a season would, he argued, teach them both to look upon things
with less prejudiced eyes. She would miss him, and want him, and he
would learn to be less indignant at what had happened between them.
As he came to this conclusion, which he hugged as a conviction,
because it presented to him a way out of his difficulty with regard
to the most judicious course to take with Ada, he perceived Gilbert
Langstroth walking up the aisle behind Eleanor Askam, and they went
together to the great square pew belonging to Thorsgarth. Roger
began to wonder if Michael was right in thinking there might be
something between them. Then he saw the choir and parsons coming in,
and he wound up his voluntary, and the service began. When it was
over, he played the congregation out to the music of a quick
movement from a sonata of Beethoven—a passage full of storm and
stress; of pain, struggle, and striving. And as the wild and noble
music pealed out, some of his pain and unrest passed away with it.
When he had left the church, and got into the churchyard, it was
almost empty. One or two groups still lingered in conversation. Ada
and her parents were not amongst them, but Roger was surprised to
see Gilbert and Miss Askam still there. She looked very pale, he
noticed, and grave, but also very beautiful in her dark brown velvet
and furs. He raised his hat, and was passing on, but Gilbert stepped
forward, and to Roger’s bewildered amazement, accosted him.
‘I have been waiting for you,’ said he. ‘I want a word with you, if
you can spare a moment; and Miss Askam desires me to present you to
her;’ and he turned from one to the other.
Public-domain text, read in full here on John Shaqi.
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