Borderland : $b a country-town chronicleFothergill, Jessie
General
Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
that which he would have so hated to do himself. Interested in his
studies, and seeing a good deal of society, in which he was popular, by
reason of his good looks, good birth, and entire absence of selfishness
or self-consciousness, Michael often thought what a good old man Gilbert
was, and what thanks he, Michael, would owe him, for thus sacrificing
the days of his youth to an invalid father and a complicated
account-book, in a quiet little country town at the world’s end.
It certainly was a very quiet little town, as it is now, and probably
always has been.
‘Castle Bradstane,’ says an old chronicler, ‘standeth stately upon
Tese.’ At the time of which he wrote, he probably literally meant the
castle, the grim brown pile which stood on the Durham side of the
stream, cunningly planted just at an outward sweep of one of its many
curves. Gradually it had fallen into decay; other houses and a small
town had gathered about its feet. Ivy and other creepers and climbers
now clung about its fierce old towers. Wallflowers, ragwort, and the
ivy-leaved snapdragon peeped and nodded in at the narrow little slits of
windows; kindly Nature did all in her power to beautify what had been so
cruel and so hideous, till now the grim old fastness sat harmless aloft,
and the river rushed and murmured far below, as of yore.
Any one who chooses, may learn how Walter Scott, with the seer’s eye of
genius, pictured Bradstane Castle, and the prospects which from its
‘watch-tower high gleamed gradual on the warder’s eye;’ and to this day,
the prospect upon which it looks is little changed. Though the stream
sweeps by beneath it, laden with the tale of several centuries more,
their woe and bloodshed, grief and tragic story, yet the outlines of the
land itself, the woods, the hills, must be similar to what they were
when old Leland, looking upon it, recorded, ‘Castle Bradstane standeth
stately upon Tese.’ The inhabitants, who gradually built houses, and
clustered about the old pile and beyond it, to the east, had been, taken
all in all, a wild race of people, a border race. To this day they are
bold, sturdy, and independent. Strange tales are sometimes told of the
old families of the vicinity, gentle and simple—tales in which both
gentleness and simpleness are conspicuous by their absence. Great cities
have their great sins, their great faults, wrongs, and iniquities; and
we are very much in the habit of speaking in condemnatory terms of them,
and of lauding the beauties of the country, and the simpleness and
gentleness, and, above all, the naturalness and absence of pretension in
the life there. And, certainly, city life, carried to excess, has in it
a morbid feverishness and unrest which is no true life. But in country
life, when it is lived in out-of-the-way spots—moorland farms, secluded
dales, places far from railways and traffic—there is often a certain
morbidness, as well as in the life of a town. The very solitude and
Public-domain text, read in full here on John Shaqi.
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