It was late in the evening of the same day. Eleanor and Michael were alone together in her drawing-room. She had not been left alone all day. Unable to bear the solitude and suspense alone, she had sent for Mrs. Parker, who, of course, knew all the story from Michael. The good lady had come, and remained with her during all the hours of waiting and terror. When Michael was announced, Eleanor had said she would like to see him alone, and Mrs. Parker had gone into another room. He had come in, looking both tired and haggard; for what had happened had struck him, both through his friend, and through the woman he loved. Though Roger had now no connection with Ada, Michael knew him too well to suppose for a moment that he had, or could have, ceased to love her, in the space of five short months. The worst agony of separation might be over, but he could imagine what this news would be to the man who had loved this unhappy girl so tenderly and so faithfully. As for Eleanor, her sufferings were his sufferings now. And thirdly, there was himself and his own sensations in the matter. He had never admired Ada, and had always been sorry that she had been Roger’s choice; but it had never entered into his head to dream of such a _dénouement_ to the broad farce he had seen played at the concert. It was not that he had credited Otho with being any better than he was, but it had not occurred to him to look at such a side as being possible to the affair. If any one had suggested it to him, he would have said first, that Otho would not dare to commit such a sin where a girl of Ada’s upbringing was concerned, and next, that Ada herself was beyond suspicion. The whole thing had burst upon him, and he was filled with disgust and horror, such as a man whose mind and life have been alike clean, must feel when he comes face to face with such a history, and finds it intruding itself into the most intimate relations of his own life.