"Yes," answered she, "that is because we made use of our toes as well as our fingers for useful purposes. It appears to me that the Apeman has permitted his feet to grow into mere hoofs with which to stump along upon, and from what I observed during my excursion around the world, your people are even allowing their hoofs to become worthless," and here she smiled as she recalled to mind some of the gouty, rheumatic and over-fed mortals she had seen during that trip. As Arletta smiled, her beautiful lips parted and for the first time I noticed, much to my surprise, that she had no teeth. A woman of our own kind without teeth generally presents a rather dilapidated appearance, but here was a woman that I thought actually looked more lovely without them. "Well," remarked Arletta, noting my astonishment, "I do not have teeth to bite and chew with like the lower animals. The Sageman shed his teeth shortly after he discontinued the filthy animal habit of devouring flesh and other solid substances for subsistence, and substituted the more scientific, cleanly and healthful method of inhalation." CHAPTER XVI "Now we shall enjoy a little music," said Arletta, as she turned her attention to the pictorial orchestra. "Music," repeated I, "then it was real music I heard a short time ago and not a mere fancy of my own." "I was not aware that you heard it at all," replied she. "Yes," responded I, "when first coming into this room, the men in the picture appeared to me to be alive, and wishing to attract their attention I touched the shoulder of the leader, and then it was that I thought I heard the sweetest and grandest music it has ever been my good fortune to listen to." "In that case," said Arletta, "your ears did not deceive you, for you certainly heard real music. You see in this picture, an exact portrayal of that which existed over four thousand years ago. This delineation is an almost perfect representation of one of our national bands as they once appeared in life ready to play. The music, of course, is reproduced mechanically, the mechanism being concealed from view behind the scenery. When you placed your hand upon the shoulder of the leader you unconsciously pressed the spring which set the machinery in motion, causing a reproduction of the same strains once rendered by these men." "But this being a painting, I cannot understand how the figures moved as if playing upon their instruments," said I.