England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
But what reasoning could defend the winning of a wife by false
pretences? This, his final aim, could hardly be achieved without grave
wrong to the person whose welfare must in the nature of things be a
prime motive with him. The deception he had practised must sooner or
later be discovered; lifelong hypocrisy was incompatible with perfect
marriage; some day he must either involve his wife in a system of
dishonour, or with her consent relinquish the false career, and find
his happiness in the obscurity to which he would then be relegated.
Admit the wrong. Grant that some woman whom he loved supremely must, on
his account, pass through a harsh trial--would it not be in his power
to compensate her amply? The wife whom he imagined (his idealism in
this matter was of a crudity which made the strangest contrast with his
habits of thought on every other subject) would be ruled by her
emotions, and that part of her nature would be wholly under his
governance. Religious fanaticism could not exist in her, for in that
case she would never have attracted him. Little by little she would
learn to think as he did, and her devotedness must lead her to pardon
his deliberate insincerities. Godwin had absolute faith in his power of
dominating the woman whom he should inspire with tenderness. This was a
feature of his egoism, the explanation of those manifold
inconsistencies inseparable from his tortuous design. He regarded his
love as something so rare, so vehement, so exalting, that its bestowal
must seem an abundant recompense for any pain of which he was the cause.
Thus, with perfect sincerity of argument, did Godwin Peak face the
undertaking to which he was committed. Incidents might perturb him, but
his position was no longer a cause of uneasiness--save, indeed, at
those moments when he feared lest any of his old acquaintances might
hear of him before time was ripe. This was a source of anxiety, but
inevitable; one of the risks he dared.
Public-domain text, read in full here on John Shaqi.
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