Boston Neighbours In Town and OutPoor, Agnes Blake
General
Boston Neighbours In Town and Out
Poor, Agnes Blake
Boston (Mass.) -- Social life and customs -- Fiction; Short stories
That same fall we were excited, though only in our usual harmless,
innocent way, by hearing that the old Grahame house was sold, and
pleased--though no more than was proper--that it was sold to the
Williamses. It was a pretty, old farm-house which had been improved upon
and enlarged, and had for many years been to let; and being as
inconvenient as it was pretty, it was always changing its tenants, whom
we despised as transients, and seldom called upon. But now it was
bought, and by none of your new people, who, we began to think, were
getting too common in Babyland. We all knew Willie Williams: all the men
were his old friends, and all the women had danced with him, and liked
him, and flirted with him; but I don't think it ever went deeper, for
somehow all the girls had a way of laughing at him, though he was a
handsome fellow, and had plenty of money, and was very well behaved,
and clever too in his way; but we could not help thinking him silly. For
one thing, he would be an artist, though you never saw such dreadful
daubs as all his pictures were. It was a mercy he did not have to live
by them, for he never sold any; he gave them away to his friends, and
Blanche Livermore said that was why he had so many friends, for of
course he could not work off more than one apiece on them. He was very
popular with all the other artists, for he was the kindest-hearted
creature, and always helped those who were poor, and admired those who
were great; and they never had anything to say against him, though they
could not get out anything more in his praise than that he was "careful
and conscientious in his work," which was very likely true. Then he was
vain; at least he liked his own good looks, and, being aesthetic in his
tastes, chose to display them to advantage by his attire. He wore his
hair, which was very light, long, and was seldom seen in anything less
fanciful than a boating-suit, or a bicycle-suit, though he was not given
to either exercise, but wanted an excuse for a blouse, and
knee-breeches, and tights, and a soft hat--and these were all of a more
startling pattern than other people's; while as to the velvet
painting-jackets and brocade dressing-gowns, in which he indulged in
his studio, I can only say that they made him a far more picturesque
figure than any in his pictures. It was a shame to waste such materials
on a man. Then he lisped when he was at all excited, which he often was;
and he had odd ways of walking, and standing, and sitting, which looked
affected, though I really don't think they were.
Public-domain text, read in full here on John Shaqi.
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