affairs there were of this class it is difficult to estimate. Exact information on the subject would be valuable as enabling us to adjust the proportion of these matters. From isolated remarks referring to women not elsewhere mentioned, such as 'My Italian angel is constant,' we might suppose that Boswell conducted his amours on the magnificent scale of Solomon. But this can hardly have been the case. Miss Blair was a Scotch heiress whose estate was not far from Auchinleck. Boswell's father was in favour of the match, which would have been in every way desirable, particularly so if it be considered appropriate that the young lady was in love with Boswell. The initial stages were highly propitious. Miss Blair with her mother was persuaded, without great difficulties we may suppose, to stay at Auchinleck, where Boswell in the 'romantic groves' of his ancestors 'adored her like a divinity.' The heir whose 'grand object is the ancient family of Auchinleck--a venerable and noble principle' intends to carry off the 'neighbouring princess' by assault rather than siege, and in the pursuit of romance allows no time for love to languish. An emissary[14] is despatched, no other than the faithful Temple, who is at once to blow the trumpet as a herald, and as a spy to observe the enemy's fortifications. 'Praise me for my good qualities--you know them.' These are the instructions. Romance is to be fed by mystery and the chase encouraged by the elusiveness of the quarry. 'But talk also how odd, how inconstant, how impetuous, how much accustomed to women of intrigue. Ask gravely, Pray don't you imagine there is something of madness in that family?' A tinge of insanity may be a pleasing dash of colour in the hero; or the suggestion may draw the attention of the fair one to extravagances which are to be noted as the fantasies of genius. The ultimate halo, the crown of glory, is reserved for the explorer of distant lands and the friend of men distinguished in a continent. 'Talk of my various travels, German princes--Voltaire and Rousseau.' The effect upon the audience of this elaborate comedy is to be duly registered in order that the manager may arrange the sequence appropriately and the principal actor appear in splendour at the dramatic moment. 'Observe her well. See how amiable! Judge if she would be happy with your friend. Think of me as the great man at Adamtown--quite classical too; study the mother. Remember well what passes.... Consider what a romantic expedition you are on; take notes.' By the final injunction, the biographer's own peculiar weapon is to be directed at the prize and the lady captured by a sheet of memoranda.