Boswell’s chief associate in theatrical concerns was Mr. David Ross, a tragedian who sometime practised on the London boards, but who, like our author’s friends, Messrs. Love and Gentleman, had been driven northward by misfortune. A native of London, Mr. Ross was of Scottish parentage. His father had practised in Edinburgh as a Writer to the Signet; he settled in London in 1722 as a Solicitor of Appeals. Born in 1728, David, his only son, was sent to Westminster School. There he committed some indiscretion, which led to his expulsion and his father’s implacable resentment. For some years he earned subsistence as a commercial clerk, but obtaining from Quin lessons in the dramatic art, he came on Covent Garden stage in 1753, where he acquired a second rank as a tragedian. Irregular habits interfered with his advancement, and he proceeded to Edinburgh, in the hope of obtaining professional support. He became Master of Revels, and gave private entertainments which were appreciated and patronized. At length, on the 9th December, 1767, he was privileged to open the first licensed theatre in the capital. Boswell, at his request, composed the ‘prologue;’ the verses, now unhappily irrecoverable, were described by Lord Mansfield as “witty and conciliating.” The theatre proved a success, and the player soon afterwards acquired by marriage considerable emolument. He accepted as his wife Fanny Murray, who had in a less honourable connexion been associated with a deceased nobleman, receiving with her an annuity of two hundred pounds. Ross obtained a further advance of fortune in a manner singularly unexpected. On his death-bed his father made a will, excluding him from any share of his property, and cruelly stipulating that his sister “should pay him one shilling annually, on the first day of May, his birthday, to remind him of his misfortune in being born”! On the plea that by the law of Scotland, a person could not bequeath an estate by mere words of exclusion without an express conveyance of inheritance, Ross obtained a reduction of the settlement, and on a decision by the House of Lords got possession of six thousand pounds. He now retired from the Edinburgh theatre, and renewed his engagements at Covent Garden; but he soon became a victim to reckless improvidence. To the close Boswell cherished his society, though he did not venture to introduce him into literary circles. He died in September, 1790. The following extract from Boswell’s letter to Mr. Temple, dated 16th September, 1790, will close the narrative of his career:—