Boswelliana: The Commonplace Book of James Boswell, with a Memoir and Annotations — John Shaqi
Boswelliana: The Commonplace Book of James Boswell, with a Memoir and AnnotationsBoswell, James
History
Boswelliana: The Commonplace Book of James Boswell, with a Memoir and Annotations
Boswell, James
Boswell, James, 1740-1795
“My fondness for the Guards must appear very strange to you, who have
a rooted antipathy at the glare of scarlet. But I must inform you
that there is a city called London, for which I have as violent an
affection as the most romantic lover ever had for his mistress. There
a man may indeed soap his own beard, and enjoy whatever is to be had
in this transitory state of things. Every agreeable whim may be fully
indulged without censure. I hope, however, you will not impute my
living in England to the same cause for which Hamlet was advised to go
there, because the people were all as mad as himself.”[16]
Paternal remonstrances having proved unavailing, Boswell was permitted
to return to the metropolis. From Parliament Place, Edinburgh, writing
to Erskine on the 10th November, he informs him that “on Monday next he
is to set out for London.” On the 20th November he writes from London,
“If I can get into the Guards, it will please me much; if not, I can’t
help it.”
Boswell brought from Scotland a recommendation to Charles, Duke of
Queensberry, the patron of Gay, but that nobleman took no part in his
concerns. He again sought the field of authorship. He and Erskine
had corresponded on a variety of topics, and he fancied that their
letters might attract attention. The letters were printed in an
octavo volume,[17] Boswell remarking in the preface, that he and his
correspondent “have made themselves laugh, and hope they will have the
same effect upon other people.” Erskine and Boswell were afterwards
associated in writing “Critical Strictures” on Mallet’s tragedy of
“Elvira,” acted at Drury Lane in the winter of 1762-3. In 1764, Erskine
published a drama entitled “She’s not Him, and He’s not Her; a Farce in
Two Acts, as it is performed in the Theatre in the Canongate.” In 1773
he issued “Town Eclogues,” a poem of twenty-two quarto pages, intended
“to expose the false taste for florid description which prevails in
modern poetry.”
Public-domain text, read in full here on John Shaqi.
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