In his letter to Mr. Temple of the 30th March, 1767, he reports concerning his forthcoming venture—“I am now seriously engaged in my account of Corsica; it elevates my soul, and makes me _spernere humum_. I shall have it finished by June.” Through Mr. Hume he endeavoured to secure Mr. Andrew Millar as publisher; but negotiations being unsatisfactory, he sold his MS. for 100 guineas to Messrs. Edward and Charles Dilly, booksellers in the Poultry. In an ordinary octavo the work appeared in the spring of 1768, with the title, “An Account of Corsica: the Journal of a Tour to that Island, and Memoirs of Pascal Paoli, by James Boswell, Esq.” It was dedicated, in flattering terms, to Paoli; but the peculiarities of the writer were more apparent in his preface. He there indicates his peculiar system of orthography. “Of late,” he writes, “it has become the fashion to render our language more neat and trim by leaving out k after c, and u in the last syllable of words which used to end in our. The illustrious Mr. Samuel Johnson, who has alone executed in England what was the task of whole academies in other countries, has been careful in his dictionary to preserve the k as a mark of Saxon original. He has for most part, too, been careful to preserve the u, but he has also omitted it in several words. I have retained the k, and have taken upon me to follow a general rule with regard to words ending in our. Wherever a word originally Latin has been transmitted to us through the medium of the French I have written it with the characteristical u. Our attention to this may appear trivial, but I own I am one of those who are curious in the formation of language in its various modes; and therefore, with that, the affinity of English with other tongues may not be forgotten. If this work should at any future period be reprinted, I hope that care will be taken of my orthography.” Pursuant to his system, Boswell indulged the satisfaction of writing _authour_ for author, and _tremenduous_ for a word known only as tremendous. He closed his preface by intimating his literary aspirations:—