Box and Cox: A Romance of Real Life in One Act.Morton, John Maddison
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Box and Cox: A Romance of Real Life in One Act.
Morton, John Maddison
Comedy plays; English drama -- 19th century
COX. [_Stopping him._] It's obviously for me to retire.--Not for
worlds would I disturb the rapturous meeting between you and your
intended. Good morning!
BOX. You'll excuse me, sir--but our last arrangement was, that she was
_your_ intended.
COX. No, yours!
BOX. Yours!
TOGETHER. Yours!
[_Ten o'clock strikes--noise of an omnibus._
BOX. Ha! What's that? A cab's drawn up at the door! [_Running to
window._] No--it's a twopenny omnibus!
COX. [_Leaning over BOX'S shoulder._] A lady's got out--
BOX. There's no mistaking that majestic person--it's Penelope Ann!
COX. Your intended!
BOX. Yours!
COX. Yours!
[_Both run to door, L. C., and eagerly listen._
BOX. Hark--she's coming up stairs!
COX. Shut the door!
[_They slam the door, and both lean up against it with their backs._
MRS. B. [_Without, and knocking._] Mr. Cox! Mr. Cox!
COX. [_Shouting._] I've just stepped out!
BOX. So have I!
MRS. B. Mr. Cox! [_Pushing at the door--COX and BOX redouble their
efforts to keep their door shut._] Open the door! It's only me--Mrs.
Bouncer!
COX. Only you? Then where's the lady?
MRS. B. Gone!
COX. Upon your honour?
BOX. As a gentleman?
MRS. B. Yes, and she's left a note for Mr. Cox.
COX. Give it to me!
MRS. B. Then open the door!
COX. Put it under! [_A letter is put under the door; COX picks up the
letter, and opens it._] Goodness Gracious!
BOX. [_Snatching letter._] Gracious Goodness!
[_COX snatches the letter, and runs forward, followed by BOX._
COX. [_Reading._] "Dear Mr. Cox, pardon my candor"--
BOX. [_Looking over, and reading._] "But being convinced that our
feelings, like our ages, do not reciprocate"--
COX. "I hasten to apprise you of my immediate union"--
BOX. "With Mr. Knox."
COX. Huzza!
BOX. Three cheers for Knox! Ha, ha, ha!
[_Tosses the letter in the air, and begins dancing. COX does the
same._
MRS. B. [_Putting her head in at door._] The little second floor back
room is quite ready!
COX. I don't want it!
BOX. No more do I!
COX. What shall part us?
BOX. What shall tear us asunder?
COX. Box!
BOX. Cox! [_About to embrace--BOX stops, seizes COX'S hand, and looks
eagerly in his face._] You'll excuse the apparent insanity of the
remark, but the more I gaze on your features, the more I'm convinced
that you're my long lost brother.
COX. The very observation I was going to make to you!
BOX. Ah--tell me--in mercy tell me--have you such a thing as a
strawberry mark on your left arm?
COX. No!
BOX. Then it is he!
[_They rush into each other's arms._
COX. Of course we stop where we are?
BOX. Of course!
COX. For, between you and me, I'm rather partial to this house.
BOX. So am I--I begin to feel quite at home in it.
COX. Everything so clean and comfortable--
BOX. And I'm sure the mistress of it, from what I have seen of her, is
very anxious to please.
COX. So she is--and I vote, Box, that we stick by her.
Public-domain text, read in full here on John Shaqi.
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