Box and Cox: A Romance of Real Life in One Act.Morton, John Maddison
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Box and Cox: A Romance of Real Life in One Act.
Morton, John Maddison
Comedy plays; English drama -- 19th century
MRS. B. Certainly. [_Holding glass before COX, who ties his cravat._]
Why, I do declare, you've had your hair cut.
COX. Cut? It strikes me I've had it mowed! It's very kind of you to
mention it, but I'm sufficiently conscious of the absurdity of my
personal appearance already. [_Puts on his coat._] Now for my hat.
[_Puts on his hat, which comes over his eyes._] That's the effect of
having one's hair cut. This hat fitted me quite tight before. Luckily
I've got two or three more. [_Goes in at L., and returns, with three
hats of different shapes, and puts them on, one after the other--all
of which are too big for him._] This is pleasant! Never mind. This one
appears to me to wabble about rather less than the others--[_Puts on
hat,_]--and now I'm off! By the bye, Mrs. Bouncer, I wish to call your
attention to a fact that has been evident to me for some time
past--and that is, that my coals go remarkably fast--
MRS. B. Lor, Mr. Cox!
COX. It is not the case only with the coals, Mrs. Bouncer, but I've
lately observed a gradual and steady increase of evaporation among my
candles, wood, sugar, and lucifer matches.
MRS. B. Lor, Mr. Cox! you surely don't suspect me?
COX. I don't say I do, Mrs. B.; only I wish you distinctly to
understand, that I don't believe it's the cat.
MRS. B. Is there anything else you've got to grumble about, sir?
COX. Grumble! Mrs. Bouncer, do you possess such a thing as a
dictionary?
MRS. B. No, sir.
COX. Then I'll lend you one--and if you turn to the letter G, you'll
find "Grumble, verb neuter--to complain without a cause." Now that's
not my case, Mrs. B., and now that we are upon the subject, I wish to
know how it is that I frequently find my apartment full of smoke?
MRS. B. Why--I suppose the chimney--
COX. The chimney doesn't smoke tobacco. I'm speaking of tobacco smoke,
Mrs. B. I hope, Mrs. Bouncer, _you're_ not guilty of cheroots or
Cubas?
MRS. B. Not I, indeed, Mr. Cox.
COX. Nor partial to a pipe?
MRS. B. No, sir.
COX. Then, how is it that--
MRS. B. Why--I suppose--yes--that must be it--
COX. At present I am entirely of your opinion--because I haven't the
most distant particle of an idea what you mean.
MRS. B. Why the gentleman who has got the attics, is hardly ever
without a pipe in his mouth--and there he sits, with his feet upon the
mantel-piece--
COX. The mantel piece! That strikes me as being a considerable
stretch, either of your imagination, Mrs. B., or the gentleman's legs.
I presume you mean the fender or the hob.
MRS. B. Sometimes one, sometimes t'other. Well, there he sits for
hours, and puffs away into the fire-place.
COX. Ah, then you mean to say that this gentleman's smoke, instead of
emulating the example of all other sorts of smoke, and going _up_ the
chimney, thinks proper to affect a singularity by taking the contrary
direction?
MRS. B. Why--
Public-domain text, read in full here on John Shaqi.
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