Boy Scouts in the White Mountains: The Story of a Long HikeEaton, Walter Prichard
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Boy Scouts in the White Mountains: The Story of a Long Hike
Eaton, Walter Prichard
Boy Scouts -- Juvenile fiction; Hiking -- Juvenile fiction; White Mountains (N.H. and Me.) -- Juvenile fiction
“Boys are _all_ clumsy,” he heard Lucy whisper to one of the other
girls.
After the guests had all arrived, they sang several old-time songs, and
then four boys and four girls danced the minuet. Art didn’t have to
take part in this. He was supposed to sit and chat in the background,
which was easy. After the minuet, however, everybody had to get up and
dance a Virginia Reel. While they were in the middle of the dance,
Peanut’s galloping horse was heard; the dance stopped, the cry of
“Whoa!” was shouted at the door, and Peanut, in clothes made dusty
by sprinkling flour on them, dashed into the room, breathless, and
panted, “War has begun! We have fought the British at Lexington and
Concord! Every man to arms! The enemy must be driven out of Boston!”
There was nothing stiff about Peanut, and nobody laughed when he came
on covered with flour. He was really panting. He gasped out his first
sentence, and ended with a thrilling shout. Then he dashed forth again,
and his horse was heard galloping rapidly away.
“Peanut has the artistic temperament,” one of the teachers whispered to
another, who nodded.
No sooner had Peanut gone than the men on the stage piled after
him, and while the women huddled whispering in excited groups, they
grabbed guns and came back on the stage, when there were good-byes
and pretended tears, and Lou Merritt, dressed up like a Revolutionary
minister, gave the departing soldiers his blessing.
“Just the same, it’s silly,” Art cried, as the rehearsal was over.
“Nobody ever marched off to war in silk pants and pumps. Why can’t we
put on our own old clothes, with high boots, when we go for the guns?
Even if we don’t have Continental uniforms, the old clothes will look
more sensible than these things.”
“Sure!” cried Peanut, to the teacher. “Look here, Miss Eldridge,
here’s a picture of the Concord statue of the Minute Man. Just long
pants stuck into his boots. Let ’em just do that, and sling blanket
rolls over their shoulders, like Scouts. Then they’ll look like
business.”
“I guess you are right, boys,” she said. “Well, try it again. Who lives
nearest? You, Joe, and you, Bert. Run and borrow a few old blankets
from your mothers.”
Ten minutes later Peanut once more galloped up to interrupt the
Virginia Reel, the men rushed out for their guns, and pulled on their
own trousers, slung blanket rolls over their shoulders, discarded
their powdered wigs, and came back looking much more like minute men
going to war. They formed a strong contrast now to the girls, in their
fine clothes. Art felt easy at last, with a blanket roll covering his
frilled shirt and a gun in his hand. He gave commands to his company
in a firm voice, no longer halting and awkward. He even had a sudden
inspiration, which undoubtedly improved the play, though that wasn’t
why he carried it out.
Public-domain text, read in full here on John Shaqi.
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