Boy Woodburn: A Story of the Sussex DownsOllivant, Alfred
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Boy Woodburn: A Story of the Sussex Downs
Ollivant, Alfred
Sussex (England) -- Fiction
An early swift screeched and swept above her. A great white owl swooped
out of the wood and waved away up the hillside, hovering over the gorse.
Under the hedge a scattered troop of children were coming down the slope
along the path that led past the little old church among the sycamores.
Boy led the mare up the hillside, her eyes on the flowing green of the
hill. The young man followed in her wake, lazy almost as the old mare,
who trailed reluctantly behind with clicking shoes. The dreams seemed to
have possessed him, too. He did not speak; his eyes were downward; but
he was aware all the time of that slight, slow-moving figure walking
just in front of him.
Then something seemed to disturb the stillness and ruffle his brooding
mind. It was a vague disease as of a coming sickness, and little more.
He emerged from the land of quiet and looked about him, like a stag
disturbed by a stalker while grazing.
A man was blundering down the hillside toward them, an easel on his
shoulder.
As he came closer his face seemed strangely familiar to the young man.
Where had he seen it? Then he recollected in a flash. It was the face
Albert had drawn in caricature on the stable-door--the face of Ally
Sloper.
Silver found himself wondering whether the owner of the face was aware
of his likeness, crude indeed though real, of his great protagonist.
The fellow was incredibly slovenly. His hair was reddish and bushy about
the jaw, and but for his eyes you might have mistaken him for a
commonplace tramp. Those eyes held you. They were sensitive, suffering,
terrible with the terror of a baffled spirit seeking escape and finding
none. In that coarse and bloated face they seemed pitifully out of place
and crying continually to be released. Indeed, there was something
volcanic about the man, as of lava on the boil and ready at any moment
to pour forth in destructive torrents. And surely there had been
eruptions in the past with fatal consequences.
Now he waddled toward them with an unsavoury grin.
"What luck?" he called, in a somewhat honied voice.
"We won," replied Boy briefly.
She slipped the halter over the head of the old mare, who, too lazy to
remove herself, began to graze where she stood.
The artist stood above the girl, showing his broken and dirty teeth, his
eyes devouring her.
Silver resented the familiarity of his gaze.
"Mr. Silver, this is Mr. Joses," said the girl.
The difference between the two men amused her: the one clean, keen,
beautifully appointed, like a horse got up for a show, the other shaggy
and sloppy as a farmyard beast.
"Very pleased to make your acquaintance, sir, I'm sure," grinned the
artist, bowing elaborately.
The other responded coldly.
Joses had not made a favourable impression on the young man. Boy saw
that at once; and it was not difficult to see. For Silver showed his
likes and dislikes much as Billy Bluff did.
Public-domain text, read in full here on John Shaqi.
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