Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians — John Shaqi
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
Their plan was the old one, followed often by farmers and mountaineers,
when two persons travel with one horse. One rides to a certain point,
dismounts, ties the horse and walks on, while the other trudges along on
foot until he comes to the place where the horse is waiting, when he
mounts and rides to a second stopping-place, secures the animal for his
friend, and once more tramps on his way. Thus, by changes of walking and
riding, a goodly journey can be accomplished with less fatigue than
might be supposed.
To-day the playmates proceeded along the wooded shore of the river Dee,
at no great distance from home, but far enough that they were able to
walk on the soft earth, to stand in a forest of mighty trees, and to
bask in sunshine undimmed by the city's smoke and grime.
The journey was a difficult one for George, for he insisted upon walking
his full share of the way, and, hopping along with his stout cane, he
would sometimes be obliged to lean heavily against a tree or rock,
panting violently and clutching at his support with both hands. He dared
not drop down on the mossy bank, lest with no one near to lend him a
hand he might not manage to get up again. So, after but two or three
turns of marching, George sat down upon a stump and waited for Mary and
Aladdin to come up with him.
The pony, with his dainty sunbonneted rider, soon came into view, and
George hailed them from the roadside.
"Hi! Let's stay here. Don't you think we have gone far enough?"
"Yes," said Mary, pushing back her bonnet and glancing about the quiet
place, where dazzling sunbeams pierced through the leafy ceiling and
lightened the carpet of gay green moss; "do let's stay here; it seems
nice and far."
Whereupon the lady slipped from her saddle, and leaving Aladdin to his
own devices, after prudently freeing him of box and basket, joined
George on the stump.
"What shall we do first?" she queried.
"Let's throw clay balls," suggested George, rising quickly.
"Let's!" agreed Mary. So together they scrambled down the river bank,
and heaped a piece of driftwood with stiff clay. Returning, George cut
two slender switches from a willow-tree and presented one to his
partner. Then he rolled a bit of clay into a marble-sized ball, pressed
it firmly on the tip of the rod, and, with a quick fling, sent the ball
far out into the river.
George wielded his twig so dexterously that he could tap a mast in a
passing boat, and selecting almost any tree, stone, or sail within a
range of two hundred yards, could send his pudgy bullet home.
His cheeks soon glowed with the fun and exercise, and at every swish of
the withe he called his comrade to bear witness to his unerring aim.
Public-domain text, read in full here on John Shaqi.
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