Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
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Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
The director swung his cane vigorously, shouting his orders above the
strains of the lusty symphony. A few measures were bravely rendered,
when the conductor suddenly threw down his stick with a look of extreme
exasperation.
"Peter," he said quietly, in the tone of a teacher sorely tried but
patient, "please don't _jingle_ the bell. Take the clapper in your hand,
and tap it when I say 'one' and 'three.' Like this!" and seizing the
bell, he illustrated his meaning, compelling the fat offender to perform
the feat to his satisfaction before going on with the rehearsal. When
the bell-ringer had been sufficiently drilled, the director once again
took up his baton and ordered a fresh beginning.
They were playing in good earnest, for this imperious conductor desired
something far above the discordant blasts that are usually obtained from
musical toys. Weeks before he had assigned to each playmate a certain
instrument, teaching him in private to draw real melody from it; and
to-day he had assembled the six performers in his bedroom, introducing
them to the delight of joining together in a familiar musical theme.
To be sure, the toys were shrill and piping, the players often faulty
and careless, but after an hour's persistent and perspiring labor on the
part of all concerned, the Duke's Military March rang through the house
in creditable time and tune.
While the music continued with true martial spirit, the door opened
softly, and a plump, fair girl of sixteen peeped into the room.
Perceiving the occupation of the children, she smiled brightly and
slipped away. A moment later another form appeared upon the threshold,
that of an elderly, dignified man. His hair was white, his eyes were
protected by huge gold spectacles, his shoulders were slightly bent; but
a close observer would have readily detected a resemblance between the
handsome old gentleman and the leader of the orchestra. One bore the
markings of age, the other the dimples of childhood; but they plainly
displayed a kindred will, energy, and intelligence, although one was
seventy and the other but seven.
Mr. Händel was the town surgeon of Halle, appointed by the Duke of
Sächse, and the flaxen-haired boy was the idolized child of his
declining years.
At first sight of the juvenile orchestra the visitor smiled as
indulgently as had the girl before him, entering the chamber
unobserved, and seating himself in a distant corner where he could watch
the highly interesting performance. But he turned quickly grave when his
eye fell upon the small director, who was bending anxiously forward, his
whole being absorbed in the sounds that issued from the toys at signal
of his cane. The flush that burned the leader's cheek, the intensity of
his glance, and the strained alertness of his lithe young body, seemed a
forbidding vision to the old gentleman, for his face clouded and he
shook his head in increasing disapproval.
Public-domain text, read in full here on John Shaqi.
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