Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians — John Shaqi
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
Never a word of disrespect or rebellion did Anna utter against Mr.
Händel, for she believed implicitly in a child's obedience to his
parents; but, being of a musical temperament herself, she entered into
the boy's trouble as though she, too, were under the ban. In a certain
sense she was, there being no musical instrument in the house, and often
she felt stirred by the same impulse that wrought so constantly upon her
nephew.
"Never mind, Georg," she would say, "let Hans and Frieda have the mouth
organ and the drum. Just you attend to your school, and when your father
sees that you mean to study hard and carry out his wishes, he will give
them back to you."
But weeks dragged wearily by, and, despite Georg's diligence at school,
Mr. Händel did not relent. Frieda and Peter came occasionally, but they
had never been Georg's chosen comrades, and he joined their games
mechanically, plainly relieved when they took their departure. He longed
unceasingly for Otto, who was clever with the trumpet, and for Hans, who
was now the possessor of a violin.
He became restless and dissatisfied, and his mother despaired of a child
who went about with such a sober face.
He never gave voice to the discontent that surged in his breast, for
parental authority was strict in the Händel household, and he would have
been sharply punished for outspoken protest. But he did not recover from
his disappointment, as his father had so reasonably expected; a slight
paleness crept over his plump cheeks, his lively spirit was tinged with
melancholy, and from his compressed lips was seldom heard his former
ringing laugh.
Every one in the house noticed the change, but all except Anna thought
the mood would presently pass away if properly ignored, and no mention
was made in his hearing of the subject that lay nearest his heart. The
girl, however, realized that Georg was seriously unhappy, and right
heartily did she try to divert him from his consuming desire.
One November afternoon, as Georg sat studying before the sitting-room
fire with his mother, who had fallen asleep over her knitting, his
attention was attracted by a pebble being thrown against the window.
Raising his eyes, he beheld his aunt beckoning to him from the garden.
Down went the book and out went the boy.
"What is it, Aunt Anna?"
For answer, the girl caught him about the neck and whirled him madly up
and down the gravelled path.
"It's a secret, Georg, the best and biggest secret in the whole world.
Nobody is to know it but you and me, and it is so lovely that I can't
keep from spinning like a top!"
"Wait! Stop! Let loose!" and the boy broke from her clasp,
half-strangled by the joyful energy of her arm. "What is the secret?
Hurry and tell!"
The girl stood smiling and speechless, unable to find words to frame her
tidings. Then glancing about to assure herself that no one was near, she
bent quickly and whispered,--
Public-domain text, read in full here on John Shaqi.
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