Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians — John Shaqi
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
The singers wore students' caps and gowns of black, and upon the breast
of each shone an embroidered Maltese cross of gold, while below it
appeared the crimson letters, S. M. C., which denoted that these were
the choir-boys of St. Michael's Church.
Marching into an open square, they formed a compact group about the
cantor, and started a fresh and stirring hymn; and presently stepped
forth the smallest boy of them all, who paused a pace or two in advance
of the others, and took up the strain alone. Clear and sweet rang out
his voice upon the frosty air, and listeners by the way turned to one
another with nods and smiles of pleasure.
"That's little Bach," announced one.
"They say he is one of the best sopranos at St. Michael's," murmured
another.
The lad seemed quite unconscious of the impression he was making, for
his manner was as unaffected as though he were singing only to the
barren trees. His dark face was not noticeably handsome, but was very
earnest; and a certain plaintive note in his voice appealed to the
company with singular power, for while the carol falling from his lips
was blithe indeed, the eyes of his hearers were wet. Fervently he hymned
the New Year's joy, now trilling, trilling, like a rapturous bird at
springtime; now softly crooning with the sound of a distant violin.
When his solo ended, a round of applause and many bravos burst from his
audience, but the boy stepped quickly back to his former place and
finished the choral with the others.
In the crowd of bystanders, a man wearing a coat and cap of rough gray
fur smiled broadly when the people applauded little Bach.
"Who is the boy?" inquired a stranger at his elbow.
"He is Sebastian Bach and my brother," announced the fur-coated man. "I
am the organist at St. Michael's, and he is one of the leading
sopranos."
"You should be proud of the child, for he sings remarkably well."
"I am proud of him--ah, here come the collectors."
The singing was done, and in and out among the bystanders went the boys,
passing their wooden plates for pennies in exchange for their serenade.
Nearly every one contributed something, for the people of Ohrdruf were
genuine music-lovers, and they knew that the money gathered in this
fashion would be divided equally among the boys, to use as they pleased.
The choir broke ranks, having paraded and collected in all the streets
of the town, and black-robed boys scurried away in every direction.
"Are you bound for home now, Sebastian?" asked Georg Erdmann, the
soloist's marching companion.
"No," replied the other, "I am going to the church to practise."
"Oh, little Bach is going to practise on the organ," exclaimed a woman
who had overheard the boy's speech. "Come, sister, let's go in and
listen while he plays."
Whereupon the two matrons followed him across the square, and the
fur-coated organist, who had lately seemed so gratified at Sebastian's
success, scowled fiercely.
Public-domain text, read in full here on John Shaqi.
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