Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
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Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
"Let me suggest, then, that you allow the music lessons and compel the
school lessons, taking away the instrument if he fails at school; and
when he is old enough and wise enough to be a jurist, he will be capable
of choosing for himself the work of his life."
"I thank you, your grace! The advice is fair and judicious, and I shall
be happy to act upon it. If I have made a mistake, it was out of concern
for the child's best good, your grace."
"An error on the safe side, Mr. Händel. A-ha, my small minstrel, do you
hear how your father and I have arranged matters?"
Georg had not fully understood the conversation, but he gathered that
the duke had somehow persuaded the surgeon to allow his little son to
play upon the clavichord as much as he wished, if he were faithful at
school.
"Does the prospect please you?" asked the duke, his eyes twinkling.
"It does, it does!" cried Georg, his face radiant. "I am obliged to your
grace, and I am sure that you are almost as good and fine a person as my
Aunt Anna."
One night, in London, a concert was given at a certain music-hall, and
the money earned from the sale of tickets was to be used to relieve the
poor children of the city.
Such a throng of people crowded into the hall that every seat was
promptly filled, and the door-keepers were obliged to turn away many who
desired to attend.
King George II. appeared in the royal box, and when he had been
respectfully saluted by the people, the hall grew still. The stage was
filled with singers, and soon the room resounded with the thrilling
notes of a new piece called "The Messiah."
The people had expected to be only pleasantly entertained, but as one
strain followed another, they bent forward entranced. Such harmonies
they had never listened to before, and the people in the hall were moved
to the point of tears. At length the sounds grew so impressive that the
king could contain himself no longer, but leaped to his feet. Instantly
the people, following the lead of their sovereign, rose impulsively in
their places, and so standing, they waited until the glorious chorus was
ended.
Throughout the performance, a fine old gentleman sat quietly on the
stage near the singers, listening intently. His face wore a look of
noble earnestness, and he did not smile until the last note died away,
and from every part of the house voices cried,--
"Händel! Händel!"
For a moment he did not respond to their calls, but as the hall fell
into a tumult, and the shout increased to a deafening roar, the
white-haired gentleman rose and quietly bowed.
This did not satisfy the crowd, and from above, below, from right and
from left, excited men and women demanded that he should play for them.
The old gentleman bowed again, but finding that the audience would not
depart until he had yielded to its desire, he turned toward the massive
organ at his right.
Public-domain text, read in full here on John Shaqi.
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