Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
Sebastian Bach had lost both parents by death, and for nearly a year he
had lived with his brother at Ohrdruf. Seldom does an orphan fall into
such kindly hands, for Christoff had generously supplied the boy's
needs, and the organist's young wife had cared for Sebastian with all
the gentleness of a sister. They sent him to the Lyceum school, and
Christoff taught him music at home. At first the elder brother rejoiced
over the boy's progress in organ playing, and often rubbed his hands
with pride as he predicted for his pupil a future filled with musical
successes. But as the months rolled by, and the lad acquired greater
knowledge, Christoff became silent.
Had Sebastian been content to dawdle at his practising, or even to work
with moderate zest, his experience might have proved no different from
that of most music students; but he did nothing by halves, and whether
he worked or whether he played, whether he studied grammar or whether he
led the games at school, he attacked the enterprise with such force that
he usually came off victorious. Bringing this same determination to bear
upon his music, he soon left his fellow-students far behind; and
practising hour after hour and day after day, with his mind set upon
conquering all obstacles as soon as they appeared, he climbed and
presently leaped into musicianly skill. Some of his music mates
complained that Sebastian learned more in one week than they did in
three or four, and their conclusion was wholly correct; but while they
grumbled they forgot that he daily spent twice as many hours at the
organ as did any one of them, toiling steadily, unfalteringly, until he
had acquired a skill far exceeding theirs.
He was such a good comrade, however, that they readily forgave him his
musical progress, and in every game and contest on the playground he was
eagerly sought as an ally.
Strangely enough, as Sebastian's facility increased, his teacher's brow
clouded. The boy could not understand why his brother was more plainly
vexed over a perfect lesson than with a faulty one. In the beginning
Christoff had cheered Sebastian on, but of late he had grown crabbed and
irritable, and the lessons had come to be hours of harsh and sneering
criticism. Sebastian did not dream that his brother was jealous, but
this was really the case; and Christoff heard the boy's lessons with
deepening anxiety and distaste. Never, however, until to-day had the
organist admitted, even to himself, that he was afraid of his younger
brother, that he dreaded lest he himself should be outstripped by his
pupil.
When Sebastian opened the door of the great kitchen, which served the
family for dining-room and living-room as well, a savory odor floated
out to greet him.
"Hurrah for the goose, Schwester! I hope it is nearly done!" he cried,
throwing down his music and hanging his cap and cloak on a peg beside
the door.
Public-domain text, read in full here on John Shaqi.
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