Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
But to-night the master was absent, and the new assistant, a mild-eyed,
pale young man, sat in Nicholas Chopin's chair and sought to keep the
boys at their tasks. He had been among them but two or three days, and
at the very beginning the pupils had decided that this was his first
attempt at teaching. His soft voice and worried look filled the boys
with glee; and half their playtime was spent in making plans to mock and
deride him. Until now, however, they had failed to carry out their
mischievous schemes, for Nicholas Chopin had compelled them to treat
the new assistant with respectful obedience. But to-night the master had
gone from home, leaving his assistant in full charge of the school, and
the boys threw all rules to the winds for the sole purpose of vexing the
new teacher.
Instead of the usual stillness maintained at this hour, the room was
a-buzz with whispers. The boys noisily shuffled their feet, rattled
their papers, and tossed their books about on their desks. The teacher
rapped sharply with his ruler again and again, but these warnings were
greeted with impudent chuckles and laughter.
At one of the side desks sat Frédéric Chopin, the master's son, toiling
at a much blotted copy-book. He was heartily liked by every boy in the
house, and for some reason, whenever he spoke in his quiet way, the
others obeyed his wishes without a syllable of complaint. John
Skotricki, who had the strongest arms and legs at school, was the
ringleader on the playground; but Frédéric was chief councillor and
fun-maker at all other times and places. Although the master's son, he
enjoyed no special favor or liberty, but was held to the same line of
duty prescribed for the other students. In the classroom he was not
noticeably clever, for he was very bad at numbers, and it is doubtful if
he could have found his own country on the great globe in the corner;
but there was one thing that Frédéric Chopin could do better than any
other boy in the school, better than any other boy in Warsaw, better,
probably, than any other boy in all the country of Poland: he could play
magnificently on the piano. So remarkably he played that everybody
wondered, and strangers often came to the house for a glimpse of the
young musician.
A year before, when he was nine, he had played at a great charity
concert given in the city hall, and after the performance the people had
surged by the stage to shake his hand and praise him; and in the
excitement and pleasure of it all, he might have become very vain of his
powers and success, but he remembered just in time that while he could
play brilliantly on the piano, he could not jump as far by ten inches as
John Skotricki, and that he did not know as much about grammar as the
youngest pupil at school.
Public-domain text, read in full here on John Shaqi.
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