Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
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Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
"They laid their plans carefully" (sounds of many gruff, deep-toned
voices, one at a time, then all together in a rumbling chorus), "and at
the solemn hour they had chosen" (twelve clanging tones), "they tied
their horses farther up the dell, and marched, two by two, toward the
house by the swirling river. Noiselessly they approached and surrounded
the many-pinnacled dwelling, each robber choosing a window through which
he would make his entrance. At the signal of the leader" (a high faint
trill), "each man climbed to his window ledge, sawed straight through
the iron bars that protected it" (a steady rasping sound as of edged
tools), "and ripped out the glass with the point of his dagger"
(tinklings as of shattered crystal).
"Now for the treasures! Each man had one foot inside the house, and one
hand on the inner sill, when, all at once, lights flared up in every
room" (a reckless sweep of notes), "dogs barked fiercely, shouts were
heard from the upper corridors, pistol-shots burst on the stillness of
the night, and the robbers leaped from their perches, rolling over and
over in the mud below" (loud discordant notes, and the _bang, bang_ of
the pistols mingled with the furious growling and yelping of dogs).
"Gaining their feet in a twinkling, the robbers fled as swiftly as
though wearing wings on their boots; and reaching the horses in
breathless fright, they swung themselves into their saddles and galloped
madly away. Hour after hour they rode" (pit-a-pat, pit-a-pat of the
hoof-beats), "through valley and village and glen. On, on they spurred"
(pit-a-pat, pit-a-pat), "until they came to a deep, dense forest. Into
its shadows they plunged, knowing that here they would be safe at last
from the dogs and the men who lived in the house by the rolling river.
"They pulled up their horses and listened" (silence), "and listened"
(silence), "but heard no pursuing feet. So, dismounting, they turned
their horses loose to nibble at will, and jaded by hours of reckless
riding, the robbers threw themselves upon the green turf to rest. The
scents of the flowers were sweet, the grass was deep and soft, the
leaves overhead rustled, rustled, rustled, and ere long, in the cool of
the summer's dawn, the weary robbers--fell--asleep."
So quietly had Frédéric spoken, so softly had he played as he described
the woodland sounds, that, gently touching the final chord, he
discovered, by the moonlight streaming in through the windows, that
twenty-four boys, like the tired robbers, were fast asleep.
[Illustration: "Like the tired robbers, were fast asleep."]
Stealing from the room on tiptoe, he summoned his sisters and the
servants to bring in lights; then stepping to the piano, he struck one
crashing chord.
As though a bomb had exploded among them, the boys started from their
slumbers, rubbing their eyes and staring stupidly at one another.
Public-domain text, read in full here on John Shaqi.
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