But what more especially attracts his notice, are those peculiarities which distinguish an old country and an old state of society from a new one. I have never yet grown familiar enough with the crumbling monuments of past ages, to blunt the intense interest with which I at first beheld them. Accustomed always to scenes where history was, in a manner, in anticipation; where every thing in art was new and progressive, and pointed to the future rather than to the past; where, in short, the works of man gave no ideas but those of young existence, and prospective improvement; there was something inexpressibly touching in the sight of enormous piles of architecture, gray with antiquity, and sinking into-decay. I cannot describe the mute but deep-felt enthusiasm with which I have contemplated a vast monastic ruin, like Tintern Abbey, buried in the bosom of a quiet valley, and shut up from the world, as though it had existed merely for itself; or a warrior pile, like Conway Castle, standing in stern loneliness on its rocky height, a mere hollow yet threatening phantom of departed power. They spread a grand, and melancholy, and, to me, an unusual charm over the landscape; I, for the first time, beheld signs of national old age, and empire's decay, and proofs of the transient and perishing glories of art, amidst the ever-springing and reviving fertility of nature. But, in fact, to me every thing was full of matter; the footsteps of history were every where to be traced; and poetry had breathed over and sanctified the land. I experienced the delightful freshness of feeling of a child, to whom every thing is new. I pictured to myself a set of inhabitants and a mode of life for every habitation that I saw, from the aristocratical mansion, amidst the lordly repose of stately groves and solitary parts, to the straw-thatched cottage, with its scanty garden and its cherished woodbine. I thought I never could be sated with the sweetness and freshness of a country so completely carpeted with verdure; where every air breathed of the balmy pasture, and the honey-suckled hedge. I was continually coming upon some little document of poetry, in the blossomed hawthorn, the daisy, the cowslip, the primrose, or some other simple object that has received a supernatural value from the muse. The first time that I heard the song of the nightingale, I was intoxicated more by the delicious crowd of remembered associations than by the melody of its notes; and I shall never forget the thrill of ecstasy with which I first saw the lark rise, almost from beneath my feet, and wing its musical flight up into the morning sky.