Let us next observe that there is no room in the shaft for two Osmiae at
a time on the same level, for each cocoon fills up the storey, the keg
that belongs to it, without leaving any vacant space; let us also remark
that, when they attain the stage of perfection, the Osmiae must all
emerge from the shaft by the only orifice which the bramble-stem
boasts, the orifice at the top. There is here but one obstacle, easy
to overcome: a plug of glued pith, of which the insect's mandibles make
short work. Down below, the stalk offers no ready outlet; besides, it is
prolonged underground indefinitely by the roots. Everywhere else is the
ligneous fence, generally too hard and thick to break through. It is
inevitable therefore that all the Osmiae, when the time comes to quit
their dwelling, should go out by the top; and, as the narrowness of
the shaft bars the passage of the preceding insect as long as the next
insect, the one above it, remains in position, the removal must begin at
the top, extend from cell to cell and end at the bottom. Consequently,
the order of exit is the converse to the order of birth: the younger
Osmiae leave the nest first, their elders leave it last.
The oldest, that is to say, the bottom one, was the first to finish her
supply of honey and to spin her cocoon. Taking precedence of all her
sisters in the whole series of her actions, she was the first to burst
her silken bag and to destroy the ceiling that closes her room: at
least, that is what the logic of the situation takes for granted. In
her anxiety to get out, how will she set about her release? The way
is blocked by the nearest cocoons, as yet intact. To clear herself a
passage through the string of those cocoons would mean to exterminate
the remainder of the brood; the deliverance of one would mean the
destruction of all the rest. Insects are notoriously obstinate in their
actions and unscrupulous in their methods. If the Bee at the bottom of
the shaft wants to leave her lodging, will she spare those who bar her
road?
Public-domain text, read in full here on John Shaqi.
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