Inventions -- Fiction; Los Angeles (Calif.) -- Fiction; Man-woman relationships -- Fiction; Robots -- Fiction; Science fiction
He had more than a minute to wait before the leaner mobster returned.
"Ready for you now," he said to Gascon, beckoning him through a rear
door. He gave no more than a glance to his quiet, easy-seeming comrade.
They went down some stairs into a basement--plainly basements were an
enthusiasm of the commander of this enterprise--and along a corridor.
At the end was a door, pulled almost shut, with light showing through
the crack. "Go in," ordered Triangle-Face, and turned as if to mount
the stairs again.
But it was not Gascon's wish that he find his companion senseless.
In fact, Gascon had no intention of leaving anyone in the way of the
retreat he hoped to make later. With his hand on the doorknob, he
spoke:
"One thing, my friend."
Triangle-Face paused and turned. "I'm no friend of yours. What do you
want?"
Gascon extended his other hand. "Wish me luck."
"The only luck I wish you is bad. Don't try to grab hold of me."
The gangster's hand slid into the front of his coat, toward that bulge
that denoted an armpit holster. Gascon sprang upon him, catching him
by the sleeve near the elbow so that he could not whip free with the
weapon. Gascon's other hand dived into his own pocket, again clutching
the big wad of chloroform-soaked cotton.
He whipped the wad at and upon the triangular face. The man tried to
writhe away but Gascon, heavier and harder-muscled than he, shoved
him against the wall, where the back of his head could be clamped and
held. Struggling, the fellow breathed deeply, again, again. His frantic
flounderings suddenly went feeble. Gascon judged the dose sufficient,
and let go his holds. The man subsided limply and Gascon, still holding
to his sleeve, dragged the right hand out of the coat. Dropping his wad
of cotton, he took up the big pistol.
"I'm afraid, Gaspipe," said a shrill, wise voice he should know better
than anyone in the world, "that that gun won't really help you a
nickel's worth."
Gascon spun around. A moment ago he had put his hand on the doorknob.
When he had turned to leap at the triangle-faced man, he had pulled
the door open. Now he could see inside a bare, officelike room, a big
sturdy desk and a figure just beyond; a figure calm and assured, but so
tiny, so grotesque.
"Come in, Gaspipe," commanded Tom-Tom, the dummy.
* * * * *
Tom-Tom did not look as Gascon had remembered him. The checked jacket
was filthy and frayed, and in the breast of it was a round black hole
the size of a fingertip. The paint had been flaked away from the
comical face, one broad ear was half broken off, the wig was tousled
and matted. And the eyes goggled no more in the clownish fashion
that had been made so famous in publicity photographs. They crouched
deep in Tom-Tom's wooden face and glowed greenly, like the eyes of a
meat-eating animal.
Public-domain text, read in full here on John Shaqi.
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