Inventions -- Fiction; Los Angeles (Calif.) -- Fiction; Man-woman relationships -- Fiction; Robots -- Fiction; Science fiction
"Clever one, that Gascon. This thing's anatomically perfect, even to
the jointed fingers." Thrusting his arm through the slit in the back,
he explored the hollow body and head. "Space for organs--yes, every
movement and reaction provided for--and a _personality_."
He straightened up, the figure in his arms. "That's it! That's why I've
failed! My figures were dead before they began, but this one has life!"
He was muttering breathlessly. "It's like a worn shoe, or an inhabited
house, or a favorite chair. I don't have to add the life force, I need
only to stimulate what's here."
Ben Gascon, at the stage door, had telephoned for a taxi. He turned at
the sound of approaching footsteps, and faced old Bratton, who carried
Tom-Tom.
"Mr. Gascon--this dummy--"
"I'm through with him," said Gascon shortly.
"Then, can I have him?"
Tom-Tom seemed to stare at Gascon. Was it mockery, or pleading, in
those bulging eyes?
"Take him and welcome," said Gascon, and strode out to wait for his
taxi.
When old Bratton finished his cleaning that night, he carried away a
bulky bundle wrapped in newspapers. He returned to his lodgings, but
not to eat or sleep. First he filled the emptiness of Tom-Tom's head
and body with the best items culled from his unsuccessful robots--a
cunning brain-device, all intricate wiring and radiating tubes set in
a mass of synthetic plasm; a complex system of wheels, switches and
tubes, in the biggest hollow where a heart, lungs and stomach should
be; special wires, of his own alloy, connecting to the ingenious
muscles of rubberette that Ben Gascon had devised for Tom-Tom's arms,
legs and fingers; a jointed spinal column of aluminum; an artificial
voice-box just inside the moveable jaws; and wondrous little
marble-shaped camera developments for eyes, in place of the moveable
mockeries in Tom-Tom's sockets.
It was almost dawn before old Bratton stitched up the slit in the back
of Tom-Tom's little checked shirt, and laid the completed creation upon
the bedlike slab that was midmost of his great fabric of machinery
in the rear room. To Tom-Tom's wrists, ankles, and throat he clamped
the leads of powerful terminals. With a gingerly care like that of a
surgeon at a delicate operation, he advanced a switch so as to throw
the right amount of current into play.
The whole procession of wheeled machinery whispered into motion, its
voice rising to a clear hum. A spark sprang from a knob at the top,
extended its blinding length to another knob, and danced and struggled
there like a radiant snake caught between the beaks of two eagles. Old
Bratton gave the mechanism more power, faster and more complicated
action. His bright eyes clung greedily to the little body lying on the
slab.
"He moves, he moves," old Bratton cackled excitedly. "His wheels are
going round, all right. Now, if only--"
Abruptly he shut off the current. The machinery fell dead silent.
"Sit up, Tom-Tom!" commanded old Bratton harshly.
Public-domain text, read in full here on John Shaqi.
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