Brazil and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Brazilians, and the Development and Resources of Their CountryWinter, Nevin O. (Nevin Otto)
History
Brazil and Her People of To-day: An Account of the Customs, Characteristics, Amusements, History and Advancement of the Brazilians, and the Development and Resources of Their Country
Winter, Nevin O. (Nevin Otto)
Brazil
The Monroe Palace, which is a reproduction of the Brazilian building at
the St. Louis Exposition, and which received a medal for its artistic
design, marks the boundary between the two avenues. The building was
completed in 1906, and the sessions of the Pan-American conference were
held in it during that year, for which it had been specially constructed.
It is a beautiful building, and stands in a location where it appears to
the very best possible advantage. Here the Beira Mar (around the sea)
begins, and it is so named because it runs between the hills and the
bay, and follows the outline of the latter. Much of it is made land,
and occupies what was at one time the favourite breeding place of the
mosquitoes which were formerly the pest of this city. Double roadways
in places, of different elevations, small parks, and the ever-varying
outline of hill and bay, the intense shades of green of the dense
vegetation, and the palms in stately rows and silhouetted against
the horizon make this avenue the most beautiful and most fascinating
boulevard in the world. I never tired of riding along the Beira Mar,
for the angle of vision is constantly changing in its many turns and
twists, and every change is only a new vision of beauty and interest.
Thus the drive leads out past the Praia da Lapa, the Praia da Russell and
the Praia da Flamengo until it ends in the horseshoe curve of Botafogo,
where the exposition of 1908 was held and the buildings of which are yet
standing. The Beira Mar is one of the favourite residence districts, and
it is lined here and there with beautiful homes. It is easy to go into
raptures over such scenes, and dull indeed is the soul that could not be
stirred by them.
[Illustration: THE LANDING AT RIO DE JANEIRO.]
Public-domain text, read in full here on John Shaqi.
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