Brazil -- Social life and customs -- Fiction; Short stories, Brazilian -- Translations into English
With the appearance of _O Mulato_ by Aluizio Azevedo (1857-1912), the
literature of Brazil, prepared for such a reorientation by the direct
influence of the great Portuguese, Eca de Queiroz, and Emile Zola, was
definitely steered toward naturalism. "In Aluizio Azevedo," says
Benedicto Costa, "one finds neither the poetry of Jose de Alencar, nor
the delicacy,--I should even say, archness--of Macedo, nor the
sentimental preciosity of Taunay, nor the subtle irony of Machado de
Assis. His phrase is brittle, lacking lyricism, tenderness, dreaminess,
but it is dynamic, energetic, expressive, and, at times, sensual to the
point of sweet delirium."
_O Mulato_, though it was the work of a youth in his early twenties,
has been acknowledged as a solid, well-constructed example of Brazilian
realism. There is a note of humor, as well as a lesson in criticism, in
the author's anecdote (told in his foreword to the fourth edition)
about the provincial editor who advised the youthful author to give up
writing and hire himself out on a farm. This was all the notice he
received from his native province, Maranhao. Yet Azevedo grew to be one
of the few Brazilian authors who supported himself by his pen.
When Brazilian letters are better known in this nation, among Azevedo's
work we should be quick to appreciate such a pithy book as the _Livro
de uma Sogra_,--the Book of a Mother-in-Law. And when the literature of
these United States is at last (if ever, indeed!) released from the
childish, hypocritical, Puritanic inhibitions forced upon it by quasi
official societies, we may even relish, from among Azevedo's long shelf
of novels, such a sensuous product as _Cortico_.
I have singled out, rather arbitrarily it must be admitted, a few of
the characteristic works that preceded the appearance of Graca Aranha's
_Canaan_, the novel that was lifted into prominence by Guglielmo
Ferrero's fulsome praise of it as the "great American novel."[2] For
South America, no less than North, is hunting that literary will o' the
wisp. Both _Maria_ and _Innocencia_ have been mentioned for that honor.
[2] Issued, in English (1920) by the publishers of this book.
Public-domain text, read in full here on John Shaqi.
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