Yorke did not risk this unexpected treasure on the chances of the dice, but retired to his own room. It was a dainty chamber, as we have said, and offered in its appointments a curious contrast to his late sleeping-room in the keeper's lodge. He opened the door of communication to which the Squire had referred, and found himself in a sort of boudoir, in which, as in his own room, a good fire was burning. By the lover of art-furniture, this latter apartment would have been pronounced a perfect gem. Here also every article was of ebony, and flashed back the blaze from the red coals like dusky mirrors. Yorke lit the candles--huge waxen ones, such as the pious soul in peril sees in his mind's eye, and promises to his saint--and looked around him with curiosity. Like the little Marchioness of Mr. Richard Swiveller, he had never seen such things, "except in shops;" or rather, he had seen single specimens of such exposed in windows of great furniture warehouses, rather as a wonder and a show than with any hope to tempt a purchaser. On one hand stood an ebony cabinet, elaborately carved with fruit and flowers; it was divided into three parts, and their shut doors faced with plate-glass gave it the appearance of a tripartite altar with its sacred fire kindled. A casket almost as large glowed close beside it, enriched with figures and landscapes, and with shining locks and hinges, as he afterward discovered, of solid gold. A book-case of the same precious wood was filled with volumes bound in scarlet--all French novels, superbly if not very decorously illustrated. But the article which astonished the new tenant of this chamber most was the ebony escritoire that occupied its centre, with every thing set out for ornament or use that is seen on a lady's writing-table. It was impossible that such nick-nacks as he there beheld could be intended for male use, and still less for such men as were the Squire's guests. Did this chamber and its neighbor apartment usually own a female proprietress? and if so, why was _he_ placed there? This idea by no means alarmed the young landscape-painter, who had no more _mauvaise honte_, nor dislike to adventures of gallantry, than Gil Blas de Santillane. He sat down at the escritoire, and, taking up a gilt pen with a ridiculous silk tassel, began a letter to the same person to whom that day he had already dispatched a missive; but this time it was not so brief: the day of brilliant dies and illuminated addresses had not as yet set in, so he wrote at the top of the little scented sheet, in a bold free hand, the word Crompton! and put a note of admiration after it. Had you seen his face as he did so, you would have said it was a note of triumph.