Brenda's Ward: A Sequel to 'Amy in Acadia' — John Shaqi
Brenda's Ward: A Sequel to 'Amy in Acadia'Reed, Helen Leah
General
Brenda's Ward: A Sequel to 'Amy in Acadia'
Reed, Helen Leah
Boston (Mass.) -- Juvenile fiction; Young women -- Juvenile fiction
"That _is_ what I mean. You seldom lose your temper; I should hardly say
'never.' Neither does Priscilla."
"Well, then, why won't she let me pay for the photographs?" Martine
looked keenly at Amy, who had been spending an hour with her that
afternoon, as if she expected to read the answer in her friend's eyes.
"I cannot tell you Priscilla's reasons, but her spirit of independence."
"Spirit of independence! Boys of '76! How tired I am of American
history! Priscilla is just like one of her own Pilgrim Fathers--only
more so. Probably any one of them would have let a friend pay for one of
those neat silhouettes, especially if the friend had insisted on having
it made, or taken, or cut, or whatever it was that they did to make
silhouettes; but Priscilla is a great deal harder than Plymouth Rock,
and that is saying no little."
"All the same, you and Priscilla will have to settle this affair for
yourselves," and rising from her seat, after a few words of farewell,
Amy left Martine to reflect on the matter they had been discussing.
Now the dispute between Priscilla and Martine, if worth dignifying by so
serious a name, was not of a kind likely to make lasting trouble between
friends. For some time Martine had been teasing Priscilla to have her
photograph taken, and Priscilla had never given a decided answer. At
last one day, as they passed a fashionable gallery, Martine had insisted
that the two should go in merely to look at samples of the
photographer's work. On the impulse Martine decided that it would be
great fun for them to be taken together. Vainly Priscilla protested that
her costume was not suitable, that she didn't feel in the mood for
sitting; Martine carried her point and two or three negatives were made
of Priscilla and Martine sitting or standing, side by side. Then two or
three were made of the two girls, each by herself. When the proofs were
sent home, the photographs of Priscilla were exceedingly good. But
Priscilla hesitating about ordering the finished pictures, she did not
give the whole reason to Martine. Her hesitation came from the fact that
the artist was expensive and that she had already exceeded her allowance
for Christmas presents.
"I do not think that I can really afford them," she said at last to
Martine one day, when the latter asked her if she had made her choice
among the negatives. "I should simply love," she added, "to have some
for my mother and a few of my relations Christmas, but I shall have to
wait a little before deciding."
Yet while she spoke she retained in her hand one proof that seemed to
meet her approval.
"Then this is the one you prefer?" said Martine, taking it gently in her
own hand.
"Yes, I haven't had a photograph since I was a small girl, but I am sure
that mother would be delighted with this one."
Public-domain text, read in full here on John Shaqi.
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