From Notre Dame one goes, of course, to the Sainte Chapelle. When this
journey was undertaken everything about this chef-d’œuvre was
gradually growing to perfection: the flèche was being put up on the
roof, the painting on the walls was nearly finished, and the altar was
in progress. Since then it has escaped, as it were by a special
providence (and why not?), from the incendiary fire which destroyed
almost the whole of the surrounding Palais de Justice, and it still
rises uninjured among the ruins. Of all the chapels of the same kind it
is certainly the most beautiful--and whether one names our own St.
Stephen’s, or thinks of others, such as the Chapel at S. Germer and the
other at Riom, the Paris chapel is certainly by far the finest--being in
truth a real work of inspired genius.
Altogether, I cannot help thinking that the effect upon the mind of what
one sees in Paris is very unsatisfactory; the revival of Christian art
seems, as it were, to be only skin-deep; there seems to be no enthusiasm
for it. What is done is done in the same way as other public works, as
the business of the state, not by the will of the people. The
scaffolding, which was just being removed from the avenue leading from
the Tuileries to the Barrière de l’Etoile, after having assisted at the
fête of Napoleon, was an illustration sufficiently apt of the work which
seems to engage too many of the artists of Paris; Parisian fête
composers and decorators really appear to be the architects of the day,
and of course this fact must mitigate very much against real art in
every branch, as its tendency is to make people accustomed to temporary
exhibitions, the shortcomings of which are pardoned on the score of
their temporary character, and so the artist is lowered in his tone by
assisting in the production of works which are not intended--as all
great works ought to be intended--to last for ages.
A day in Paris is generally a long and tiring one; and so we found it;
but nevertheless we pushed on without delay, and leaving our hotel
before the table-d’hôte was much more than half over, we drove to the
station of the Strasburg Railway, and in a few minutes we were _en
route_. If any one doubts the possibility of really resting one’s body
in a railway carriage, let him take the same precaution that we took,
and he need not despair: a day of sight-seeing in Paris is certainly the
best possible recipe for sound sleep in a railway carriage, and I
believe that when we arrived at Strasburg, at about eight the next
morning, we were very fairly rested. I confess, however, that I did feel
a twinge of horror when I found that the train by which we were anxious
to reach Basel left again in about half an hour--too long to wait, but
not long enough for either breakfast or dressing. There seemed, however,
to be no alternative, and so on we went, comforting ourselves as best we
might with some sour grapes and bad dry bread--the sole edibles
procurable at the Strasburg buffet!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account