Brief Diversions: Being Tales, Travesties and EpigramsPriestley, J. B. (John Boynton)
General
Brief Diversions: Being Tales, Travesties and Epigrams
Priestley, J. B. (John Boynton)
English literature -- 20th century
Coming to the conclusion of the whole matter, the present writer, who
has more than once gone over all that has been written on the
subject--with the exception of some things in Romansch and Czech--while
he has been engaged on this task, must refuse to discuss at length the
motives of the mice or the far-reaching results to their seemingly
(though not to the literary critic or historian who has adopted the
comparative method) eccentric and ill-timed trick of ‘running after,’
both of which have engaged the attention of some very excellent persons
to the exclusion of all other aspects of the problem. Whoever looks at
such things with one eye open for the swing of the pendulum will not be
easily persuaded that the cleaving blade--for, let it be repeated, the
Farmer’s Wife is worthiest of attention here--has not the fullest
significance of all, from the _lever de rideau_ of the ‘running after’
to the noisy epilogue of the ‘Never saw such a thing in my life.’ To
some, whose _engouement_ for the Classical is not entirely absurd, the
structure of the three shorn rodents, in their new simplicity and
austerity of outline, will come almost as a ‘Pisgah-sight.’ As a
reaction from the fulltailed Romanticism that scampered blindly and
heedlessly after what seemed rather a new crotchet than a true ideal,
their attitude--not unforeseen at the time when the ‘Carving-knife’ was
first menacingly brandished--can at least be tolerated. But to the other
extremists, who from their stucco citadel of the sham Romantic have
derided the ‘cutting-off,’ and have hailed with contempt the new-old,
perhaps to them unfamiliar, form of the blind three, the present writer
can hold out no eirenicon. With the exception of some worthy persons who
ought to have known better, and who shall be nameless here, the scoffers
were for the most part half-educated journalists and other hangers-on to
letters, who imagine that it is possible to write a clear lucid style
without so much as a glance at Dionysius of Halicarnassus, and who
cannot be expected.... Etc., Etc.
MR JAMES STEPHENS: ‘SEUMAS BEG AGAIN’
Along the road I met a red-nosed man
Who stumbled as he walked. He said to me:
‘You keep away from that pub if you can;
It’s all gone queer.’ I said I didn’t see
What could be wrong with Doolan’s. ‘I can’t think,’
Said he, ‘what we’ll have next. I went in there,
Five minutes since; I’d scarcely got my drink
Before three angels with long shining hair
Came in. The first two took the dominoes
And played daft tunes upon them, while the third
Sang songs and balanced bottles on his nose.
’Fore Stephens’ time, such things never occurred!
I said I didn’t believe him. But I did.
He only whispered: ‘Got a tanner, kid?’
A LECTURE NOT YET WRITTEN OR DELIVERED BY PROFESSOR SIR A. T.
QUILLER-COUCH: ON THE DIRECT METHOD
(_To be included afterwards in_ ‘The Art of Lecturing’)
Public-domain text, read in full here on John Shaqi.
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