The harmless brush with the Indians and the stories the affair had
started quickened interest in firearms, and during the rest of the
afternoon there was considerable target practice against the ducks,
geese, and debris, and an occasional long shot at some animal on the
distant bank.
Tom Boyd did his share of this, glad of the opportunity to try out his
new and strange weapons, and to put off meeting Patience Cooper as long
as he could, fearing her attitude concerning his fight with Schoolcraft.
He found that the newly marketed Colt six-shooter was accurate and
powerful at all reasonable ranges, beautifully balanced and well
behaving. It attracted a great deal of attention from fellow travelers,
for it was not as well-known in Missouri as it was in other parts of the
country. The English rifle, not much heavier than the great Hawken
weapons of his companions, despite its two barrels, shot true and
strong, and the two ready shots at his command easily recompensed him
for the additional weight. At this time, in the country into which he
was going, an instantly available second shot had an importance not to
be overlooked. To the Indians, especially, was it disconcerting, and its
moral effect partook of the nature of magic and made a white man's
"medicine" that demanded and received a wholesome respect. He found that
it followed the rough and ready rule of the frontier that up to a
hundred yards the proper charge was as much powder as would cover the
bullet in the palm of the hand. In the long range shots the weapon was
surprisingly accurate, and one thoughtful and intelligent hunter, who
had guided several English sporting parties, gave the credit to the
pointed bullets.
"Thar ain't no doubt about it, pardner," he confided to Tom as he slyly
produced his own bullet mold, and showed it to his companion. "I've
tried 'em out in my own rifle, an' they shore do shoot straighter an'
further. This hyar mold war give ter me by a city hunter I had in my
party when we found it would fit my rifle. I ain't usin' th' old un no
more. Rub a leetle b'ar grease or buffaler tallow on th' patch paper,
young man, ter make 'em go down easier. Thar good beaver."
The sun set in a gold and crimson glory, working its magic metamorphosis
on river, banks, and bottoms, painting the colored cliffs and setting
afire the crystals in which their clay was rich. Though usually the
scenery along this river at this time of the year was nothing to boast
of, there were certain conditions under which it resembled a fairyland.
The rolling wavelets bore their changing colors across the glowing water
and set dancing myriad flashes of sunlight; streaks of sunlight reached
in under the trees along the bank and made fairy paths among the
trunks, while the imbedded crystals in the clay bluffs glittered in
thousands of pin-points of iridescent flame.
Public-domain text, read in full here on John Shaqi.
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