The protest and recommendation implied by the use of the first name at the head of this article may be futile; but it is impossible not to feel and to express regret that so good and distinctive and old a name for this familiar bird should have been replaced by a name which is none of these things. Song-thrush is an unsuitable name, for the very good reason that we have several thrushes, all of them songsters. By most persons the bird is simply called ‘thrush,’ which is neither better nor worse than ‘song-thrush.’ The throstle is one of the smaller members of the genus, being about a third less in size than the noble stormcock. In form, colouring, motions, language, and habits, he is a very thrush. It cannot be said that his music is the best--that, for instance, it is finer than that of the blackbird. The two songs differ in character; both are good of their kind, neither perfect. The throstle is, nevertheless, in the very first rank of British melodists, and it is often said of him that he comes next to the nightingale. The same thing has been said of other species, tastes differing in this as in other matters. It is worth remarking that most persons would agree in regarding the nightingale, song-thrush, blackbird, blackcap, and skylark, as our five finest songsters, and that these all differ so widely from each other in the character of their strains that no comparison between them is possible, and there is no rivalry. The only species which may be called the rival of the song-thrush is the missel-thrush, as their music has a strong resemblance. That of the stormcock has a wonderful charm in the early days of the year, when it is a jubilant cry, a herald’s song and prophecy, sounding amidst wintry gloom and tempest. Heard in calm and genial weather in spring, the throstle is by far the finer songster. His chief merit is his infinite variety. His loudest notes may be heard half a mile away on a still morning; his lowest sounds are scarcely audible at a distance of twenty yards. His purest sounds, which are very pure and bright, are contrasted with various squealing and squeaking noises that seem not to come from the same bird. Listening to him, you never know what to expect, for his notes are delivered in no settled order, as in some species. He has many notes and phrases, but has never made of them one completed melody. They are snatches and portions of a melody, and he sings in a scrappy way--a note or two, a phrase or two, then a pause, as if the singer paused to try and think of something to follow; but when it comes it has no connection with what has gone before. His treasures are many, but they exist jumbled together, and he takes them as they come. As a rule, when he has produced a beautiful note, he will repeat it twice or thrice; on this account Browning has called him a ‘wise bird,’ because he can recapture The first fine careless rapture.