British Flags: Their Early History, and Their Development at Sea: With an Account of the Origin of the Flag as a National DevicePerrin, William Gordon
History
British Flags: Their Early History, and Their Development at Sea: With an Account of the Origin of the Flag as a National Device
Perrin, William Gordon
Flags -- Great Britain
Evidently, at some date after 958 the Genoese transferred their
spiritual allegiance from St Lawrence to St George in much the same way
that the Venetians had transferred their allegiance from St Theodore
to St Mark when the supposed relics of that saint were translated from
Alexandria to Venice, or as the English, in the fourteenth century,
replaced Edward the Confessor by St George, but it is not until the
year 1198 that we meet with a distinct reference by name to the flag
of St George as being that of the State. From that year onward it is
frequently referred to in terms which leave no doubt that it had been
the outward symbol of Genoese power from a much earlier period. Indeed,
in an illustration, against the year 1113, of the castle of Porto
Venere, then newly built by the Genoese, there flies above the castle a
large three-tailed gonfanon bearing a cross that extends to the three
sides and to the commencement of the tails. This is a pen-and-ink
sketch, so that the colour of the cross is not shown, but there can be
little doubt that this was a flag of St George. I say _a_ flag of St
George because, although the red cross on white was ultimately adopted
as the State ensign, _the_ State flag of St George in the thirteenth
century was not a cross at all; it was an actual representation of St
George himself on horseback in the familiar attitude of slaying the
dragon with a spear. This is shown clearly in a coloured miniature
which accompanies the events of 1227. In that year, at the commencement
of the struggle between the papacy and the Emperor, the Genoese laid
siege to Savona and the neighbouring town of Albizzola, which were
attempting to withdraw from their allegiance to their great neighbour
and to take sides with the Emperor Frederick. The artist depicts the
siege operations against these two towns, and shows the principal
citizens of Savona on their knees before the Podesta of Genoa in his
tent, humbly offering their submission[52]. Before the tent floats a
large red gonfanon, rectangular in form, and with four square-ended
tails, having the above-mentioned device in a light yellow colour, and
the word "vexillum" written under it to call attention to the fact that
it was the State flag.
Public-domain text, read in full here on John Shaqi.
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