A number of notable paintings of marine subjects stand to the credit of Terrick Williams, who has for some years past devoted himself to this branch of art with conspicuous success. Some idea of the grace and delicacy of his work can be obtained from the example shown, _Clouds over the Sea, Holland_ (p. 132); but naturally it does not reveal the character of his colour. As a colourist he is more than ordinarily endowed, he has the real colour emotion, and it is always delightfully in evidence in everything he does, and always it is controlled by an unerring taste. He has, too, an acute perception of refinements of tone by which he is guided surely in his treatment of the luminous atmospheric effects to which he especially inclines. His right to a place among the chief of the British marine painters of the present day is indisputable. The last two artists on the list are very unlike one another, so this series of illustrations ends with an effective contrast of styles. The picture by Frank Emanuel differs widely in intention and manner from those by E. A. Cox. _The Ancient Port of Fêques_ (p. 133) shows affinities both in style and manner with the early nineteenth-century sea painters and follows their tradition in composition and light-and-shade arrangement. Still, the artist has chosen good material and has made skilful use of it. The other painter, E. A. Cox (pp. 134 and 135), is a decorator with a faculty for seeing things largely, and for setting them down confidently. His use of broad, flat tones is most effective, and the vigorous precision of his drawing gives a convincing quality to his performances. He seems always to know just what he wants to do and to be able to do it without a moment’s hesitation--and that implies very assured knowledge acquired by the most thorough training. A. L. BALDRY [Illustration: “THE CALM.” BY CHARLES BROOKING _Photo, Mansell_ (_In the National Gallery, London_)] [Illustration: “FISHERMEN HAULING IN A BOAT.” BY GEORGE MORLAND _Photo, Mansell_ (_In the Victoria and Albert Museum, London_)] [Illustration: “SEAPIECE.” BY JOHN H. WILSON, R.S.A. (_In the possession of Messrs. Arthur Tooth & Sons_)] [Illustration: “CHESIL BEACH.” BY JOHN CONSTABLE, R.A. (_In the possession of John Levy, Esq., New York_)] [Illustration: “THE SHIPWRECK.” BY J. M. W. TURNER, R.A. _Photo, Mansell_ (_In the National Gallery of British Art, London_)] [Illustration: “THE PRINCE OF ORANGE LANDING AT TORBAY NOVEMBER 5, 1688.” BY J. M. W. TURNER, R.A. _Photo, Mansell_ (_In the National Gallery of British Art, London_)] [Illustration: “YACHT RACING IN THE SOLENT.” BY J. M. W. TURNER, R.A. _Photo, Mansell_ (_In the National Gallery of British Art, London_)] [Illustration: “FARNE ISLAND.” BY J. M. W. TURNER, R.A. (_In the Collection at Barbizon House_)] [Illustration: “LOWESTOFT.” BY J. M. W. TURNER, R.A. (_In the possession of R. W. Lloyd, Esq._)]