British Museum (Natural History) General GuideBritish Museum (Natural History)
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British Museum (Natural History) General Guide
British Museum (Natural History)
British Museum (Natural History) -- Guidebooks; Natural history museums -- England -- London -- Guidebooks
[Sidenote: Towers.]
“The towers on the north of the building have each a central
smoke-shaft from the heating apparatus, the boilers of which are placed
in the basement, immediately between the towers, while the space
surrounding the smoke-shafts is used for drawing off the vitiated air
from the various galleries contiguous thereto. The front galleries
are ventilated into the front towers, which form the crowning feature
of the main front. These towers also contain, above the second floor,
various rooms for the work of the different departments, and on the
topmost storey large cisterns for the purpose of always having at hand
a considerable storage of water in case of fire. On the western side
of the building, where it is intended that the Zoological collection
shall be placed, the ornamentation of the terra-cotta (which will
be found very varied both within and without the building) has been
based exclusively on living organisms. On the east side, where Geology
and Palæontology find a home, the terra-cotta ornamentation has been
derived from extinct specimens.
“The Museum is the largest, if not, indeed, the only, modern building
in which terra-cotta has been exclusively used for external façades and
interior wall-surfaces, including all the varied decoration which this
involves.”
* * * * *
[Sidenote: Gardens.]
The gardens on the south, east, and west sides of the Museum are
open to the public whenever the Museum itself is open, under certain
regulations, posted at the entrance gates.
GENERAL ARRANGEMENT.
[Sidenote: Use of the term Natural History.]
Natural History is an old term, used to describe the study of all the
processes or laws of the Universe, and the results of the action of
those processes or laws upon such of its constituent materials _as are
independent of the agency of man_.
It is thus contrasted with the history of Man and his works, and the
changes which have been wrought in the World by Man’s intervention.
This distinction afforded a convenient and rational basis for the
division of the numerous and multifarious objects which had been
collected together in the British Museum at Bloomsbury. When it was
decided to effect a separation of the collections, those that were
purely the products of what are commonly called “natural” forces were
removed to South Kensington, while those showing the effects of Man’s
handiwork remained at Bloomsbury. Like most others of the kind, this
distinction cannot be applied very rigidly. Such lines of demarcation
almost always overlap. For instance, examples of modification of animal
or plant structure under Man’s influence legitimately find a place in a
Museum of Natural History, especially as they may afford illustrations
of the mode of working of natural laws. Prehistoric stone-implements,
again, are shown in the Geological Department, in order to illustrate
the co-existence of Man with extinct Mammals.
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