School-books, in almost every department of literature, seem to be making their appearance in battalions. There are at present several rival series, which travel over exactly the same classical ground. The volume before us belongs to the Clarendon Press series, and is the precursor of a larger work on the same subject. This will probably account for the disappointing brevity of the notes and illustrations. The materials for a good edition of the 'Odyssey' are abundant, consisting of elaborate works treating of every topic connected with this ancient poem, as well as of excellent commentaries. The notes given by Mr. Merry are so brief and elementary as to convey but little idea of the labours of his predecessors. We do not believe in a school-book being overladen with explanatory matter or piled up with references to authorities, which the schoolboy will be probably unable and certainly unwilling to consult; but we do think that every annotated classical book should contain ample references to our best elementary books on grammar, antiquities, and history; the absence of which is in our opinion a serious drawback to the present edition. Mr. Merry has followed in the main the text of La Roche. The brief but excellent introduction is adapted from the pamphlet of Thomaszewski. The illustrated matter contains a sketch of the principal Homeric forms, the metre of Homer, Homeric syntax, and notes for which the commentaries of Nitzsch, Ameis, and Crusius have been consulted. The notes, as far as they go, are clear, precise, pertinent, judicious, and seem to be on the same plan, and scarcely more extensive than those on the first six books of the Iliad, in the 'Annotated Oxford Pocket Classics.' _The Georgics of Virgil._ Translated by P. D. BLACKMORE, M.A. Sampson Low, Son, and Marston. Mr. Blackmore is not only one of the best of novelists and gardeners, he is also a complete scholar and a charming poet. This translation of the 'Georgics' is a most remarkable achievement; the full significance of Virgil's words is almost always perceptible in the rendering, notwithstanding the exigencies of rhyme. We are by no means of opinion that the decasyllabic couplet is a fit metre for Virgil; that elegant Roman was as nearly as possible a Tennyson, and his tricks of versification can be admirably echoed in Tennysonian blank verse. Mr. Blackmore has more force and a stronger idiosyncrasy than Virgil had; hence, in the translation we think more of the English than of the Roman poet. To such a style of translation we do not object; we read our Virgil with a difference, with a new flavour, in fact. Just in the same way did Dryden turn Horace into a nobler form when he wrote, 'Not heaven itself upon the past has power, But what has been has been, and I have had my hour.'