Then came a period of quiet years, when the meadows and pastures grew
rich and fertile, the upturned soil yielded abundant harvests, and the
branches of the apple trees hung heavy with fruit. But it was when the
old house had begun to settle and look decrepid, and its floors had
become shaky and uneven, that its door opened wide to its supreme
experience. Then Fruitlands was exalted into the New Eden. The two names
came to it simultaneously. It was to pulsate with lofty ideals and
altruistic aspirations. For one perfect summer and mellow autumn its
running brook, its shady grove, its fertile meadows and sloping pasture,
its western view, so beautiful at sundown, of Wachusett and Monadnoc,
and the chain of purple hills, were to be the inspiration of a group of
individuals then known as the transcendental philosophers, and through
them Fruitlands became famous. Within its walls great questions were
discussed, great hopes for the betterment and enlightenment of mankind
were generated. Alcott, Charles Lane, Wright, Bower, Emerson, Hawthorne,
Channing, Thoreau, and many others went in and out of its doors; and
last, but not least, the child, Louisa May Alcott, who later became our
well-loved New England authoress, and Joseph Palmer, a Crusader in
spirit as well as in actions, who suffered for his principle of wearing
a beard at a time when it was looked upon as a badge of scorn and
contempt, and which won for him the name of “the Old Jew.” When the
beautiful dream was over; when the New Eden proved to be only an empty
mockery of the vision it had once inspired; when the great experience
had ended in failure, then the old house sagged pitifully as if its
heart had broken: the winter storms and summer rains of the succeeding
years washed all color from its face: it became gray and haggard. Joseph
Palmer and his wife lingered on in old age, and then passed out into the
Beyond. Their children and grandchildren clung to the place for a space
of years, but its history was over. It was left desolate and abandoned.
* * * * *
Public-domain text, read in full here on John Shaqi.
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