The long, low dining room had rows of tables, some six in number, seating on an average fourteen persons each. White painted benches supplied the place of chairs. The tables were neatly set in white ware; white mugs served for both cups and drinking glasses. There were white linen table cloths, and everything was scrupulously neat. At the farther end of the room sat Mr. Ripley. The garments of the husbandman and farmer had all been laid aside, and, neatly dressed, he was smiling and laughing, his gleaming eyes seeming to reflect their brilliancy on the golden bows of his spectacles. At his right sat his wife, and near by his sister, who poured the morning libation of tea or coffee. Most of the pupils were at this table. Mrs. Ripley, tall, graceful and slim, was, like her husband, near-sighted, but only on occasions would she raise a gold-bowed eye-glass to look at some distant object or person. The fare at the table was plain; good bread, butter and milk from the farm were present. It is hardly necessary to say that I looked around with peculiar interest on those who were to be my new friends and companions. It was not a dismal or sober meal. There was a happy buzz that indicated to me a probability of great future happiness. How well do I remember the old dining-room with its familiar forms and faces--too many to describe now! There were the young and pretty Misses Foord; the one a dimpled blonde, lovely, rosy-complexioned, with large, wonderful blue eyes; and her sister with her clear skin and dark hair and eyebrows, both wearing their contrasted and unbound tresses flowing over their graceful shoulders. And hark! 'tis Dolly, dear Dolly Hosmer, with her rollicking, noisy laugh. And pretty Mary Donnelly--oh, how pretty! with the dimples and the peach-bloom on her face, her white teeth and coal-black hair--ever pretty whether she was smiling at you or peeling potatoes. And Charles Newcomb, the mysterious and profound, with his long, dark, straight locks of hair, one of which was continually being brushed away from his forehead as it continually fell; with his gold-bowed eye-glass, his large nose and peculiar blue eyes, his spasmodic expressions of nervous horror, and his cachinnatious laugh. There were sturdy Teel, and heavy Eaton, and frisky Burnham, and bluff Rykman, with round-eyed Fanny Dwight and another graceful Fanny, and oh! so many more men and women, friends and workers striving for a sublime idea. I could describe very many of them and the minute details of all the houses and surroundings, but it would unwisely overcrowd these pages.