The Convent of the Annonciades, situated in a secluded spot on the
outskirts of Paris, has long been well reputed as an educational
establishment for young ladies of good family. The sisters themselves
are women of refinement and cultivation, and the antecedents of every
pupil received by them are most carefully inquired into: so carefully,
indeed, that admission to the Convent School is looked on almost as a
certificate of noble birth and unimpeachable orthodoxy. The Ladies of
the Annonciades have indeed lately relaxed their rules, so far as to
receive as parlor-boarders some very rich American girls and the
children of a Protestant English marquis; but wealth in the first
instance, and birth in the second, counterbalance the objections that
might be raised to their origin or their faith. These exceptions to the
rule are, however, few and far between; and, in spite of the levelling
tendencies of our democratic days, Annonciades Convent is still one of
the most exclusive and aristocratic establishments of the kind in
Europe.
Although we know too well that small-minded jealousy, strife, and
bickering must exist in a community of women cut off so entirely from
the outer world as in this Convent of the Annonciades, it must be
confessed that the very name and air of the place possess a certain
romantic charm. The house is old, turreted like a chateau, overgrown
with clematis and passion-flower. The grounds, enclosed by high mossy
walls, are of great extent, and beautifully laid out. The long chestnut
avenue, the sparkling fountains, the trim flower-beds, are the delight
of the sisters' hearts. The green beauty of the garden, and the grey
stones of the ancient building, form a charming background for the
white-veiled women who glide with noiseless footsteps along the
cloisters or the avenue: a background more becoming to them even than to
the bevy of girls in their everyday grey frocks, or their Sunday garb of
white and blue. For the sisters' quaint and graceful dress harmonizes
with the antique surroundings of building and ornament as anything
younger and more modern fails to do.
These women--shut off from the world, and knowing little of its joys or
sorrows--have a strangely tranquil air. With some the tranquility verges
on childishness. One feels that they have not conquered the world, they
have but escaped it; and, as one pities the soldier who flies the
battle, so one mourns for the want of courage which has condemned these
women to an inglorious peace. But here and there another kind of face is
to be seen. Here and there we come across a countenance bearing the
tragic impress of toil and grief and passion; and we feel it possible
that in this haven alone perhaps could a nature which had striven and
suffered so greatly find in the end a lasting place. But such faces are
fortunately few and far between.
Public-domain text, read in full here on John Shaqi.
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