Brought ForwardCunninghame Graham, R. B. (Robert Bontine)
History
Brought Forward
Cunninghame Graham, R. B. (Robert Bontine)
Fiction; Short stories
Little by little the various groups dissolved, the speakers and their
friends forcing their “literatoor” upon the passers-by, who generally
appeared to look into the air a foot or two above their heads, as they
went homewards through the streets.
The Anarchists were the last to leave, a faithful few still congregating
around a youth in a red necktie who denounced the other speakers with
impartiality, averring that they were “humbugs every one of them,” and,
for his part, he believed only in dynamite, by means of which he hoped
some day to be able to devote “all the blood-suckers to destruction, and
thus to bring about the reign of brotherhood.”
The little knot of the elect applauded loudly, and the youth, catching
the policeman’s eye fixed on him, descended hurriedly from off the chair
on which he had been perorating, remarking that “it was time to be going
home to have a bit of dinner, as he was due to speak at Salford in the
evening.”
Slowly the square was emptied, the last group or two of people
disappearing into the mouths of the incoming streets just as a Roman
crowd must have been swallowed up in the vomitoria of an amphitheatre,
after a show of gladiators.
Torn newspapers and ends of cigarettes were the sole result of all the
rhetoric that had been poured out so liberally upon the assembled
thousands in the square.
Two or three street boys in their shirt-sleeves, bare-footed and
bare-headed, their trousers held up by a piece of string, played about
listlessly, after the fashion of their kind on Sunday in a manufacturing
town, when the life of the streets is dead, and when men’s minds are
fixed either upon the mysteries of the faith or upon beer, things in
which children have but little share.
The usual Sabbath gloom was creeping on the town and dinner-time
approaching, when from a corner of the square appeared a man advancing
rapidly. He glanced about inquiringly, and for a moment a look of
disappointment crossed his face. Mounting the steps that lead up to the
smoke-coated Areopagus, he stopped just for an instant, as if to draw his
breath and gather his ideas. Decently dressed in shabby black, his
trousers frayed a little above the heels of his elastic-sided boots, his
soft felt hat that covered long but scanty hair just touched with grey,
he had an air as of a plaster figure set in the middle of a pond, as he
stood silhouetted against the background of the buildings, forlorn yet
resolute.
The urchins, who had gathered round him, had a look upon their faces as
of experienced critics at a play; that look of expectation and
subconscious irony which characterises all their kind at public
spectacles.
Public-domain text, read in full here on John Shaqi.
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