Browning and Dogma: Seven Lectures on Browning's Attitude Towards Dogmatic Religion — John Shaqi
Browning and Dogma: Seven Lectures on Browning's Attitude Towards Dogmatic ReligionNaish, Ethel M.
Religion
Browning and Dogma: Seven Lectures on Browning's Attitude Towards Dogmatic Religion
Naish, Ethel M.
Browning, Robert, 1812-1889 -- Religion
The continued popularity of _In Memoriam_ is undoubtedly due in large
measure to the fact that the author has there given poetic utterance to
those questionings and aspirations of the human soul, peculiar to no time
or place, to no nation or form of creed--to the cry wrung from the heart
when inexorable Death brings with it the hour of separation. There is in
truth a triumphant note towards the close of _In Memoriam_: the child of
the fifty-fourth stanza "crying in the night, and with no language but a
cry," though yet crying in the night, becomes in the final section (stanza
cxxiv) a child "who knows his father near." But even when the heart rises
triumphantly, and in defiance of the arguments of reason asserts "I have
felt," the faith so expressed is not the faith of Browning. Beyond all the
temporary darkness of _La Saisiaz_ we recognize that the author of
_Asolando_ is speaking nothing more than the truth when he tells us that
he "never doubted clouds would break." The dispersal of the clouds
gathered over La Salève added confidence to the _Epilogue_ which
constitutes so fitting a close to the life's work. The assertion "I
believe in God and Truth and Love," expressed through the medium of the
lover of Pauline, finds its echo in the more direct personal assertion of
the concluding lines of _La Saisiaz_, "He believed in Soul, was very sure
of God." This was the irreducible minimum of Browning's creed. How much
more he held as absolute, soul-satisfying truth it is the design of this
and the six following lectures to determine.
And here at once on the threshold of our investigation we are confronted
by the difficulty inseparable from any consideration of Browning's
literary work; the difficulty of eliminating the dramatic and gauging the
extent of the purely personal element. Although, as was inevitable, such
difficulty has been universally recognized by critics and students, yet
the very strength of the dramatic power has in many cases proved
misleading. Browning has too completely lost himself in his subject. In
the writings of the man capable of merging his personal identity in that
of an Andrea and a Pippa, of a Caliban and a S. John; of assuming
positions as opposed as those of a Guido and a Caponsacchi, it is a
sufficiently simple matter to discover opinions supporting directly or
indirectly any individual line of thought. To him who seeks with intent
to obtain such confirmation may the promise be fairly made
As is your sort of mind
So is your sort of search; you'll find
What you desire.[4]
Public-domain text, read in full here on John Shaqi.
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