Browning and His CenturyClarke, Helen A. (Helen Archibald)
Philosophy
Browning and His Century
Clarke, Helen A. (Helen Archibald)
Browning, Robert, 1812-1889; Nineteenth century; Poets, English -- 19th century -- Biography
We, who, to-day, are familiar with the application of the theory of
evolution to every object from a dustpan to a flying machine, can hardly
throw ourselves into the atmosphere of the first half of the last century
when this dynamic ideal was flung into a world with static ideals. The
Christian world knew little and cared less about the guesses of Greek
philosophers, whom they regarded when they did know about them as
unregenerate pagans. German thought was caviare to the general, and what
new thought of a historical or scientific nature made its way into the
strongholds of conservatism filled people with suspicion and dread. Such a
sweeping synthesis, therefore, as Browning gives of dawning scientific
theories in Paracelsus was truly phenomenal. That it did not prove a bone
of contention and arouse controversies as hot as those which were waged
later around such scientific leaders as Spencer, Darwin, Huxley, and
Clifford was probably due to the circumstance that the poem was little
read and less understood, and also to the fact that it contained other
elements which overlaid the bare presentation of the doctrines of
evolution.
So far I have spoken only of the form of the Paracelsus theory of life,
but a theory of life to be complete must have soul as well as form. Only
in adding the soul side to his theory of life does Browning really give
his solution of the problem, what is to be the relation of mind and
spirit?
One other point of resemblance is to be noted between the thought of
Browning's Paracelsus and Herbert Spencer. They agree that ultimate
knowledge is beyond the grasp of the intellect. Neither was this a new
idea; but up to the time of Spencer it was taken simply as a negative
conclusion. Spencer, however, having found this negation makes it the body
of his philosophy--a body so shadowy that many of his critics consider it
too ghostly to stand as a substantial basis for philosophical thought. He
regards the failure of the intellect to picture the nature of the absolute
as the most certain proof that our intuitions of its existence are
trustworthy, and upon this he bases all religious aspiration. Like the
psalmist, he exclaims, "Who by searching can find out God?"
The attitude of Paracelsus is identical as far as the intellect is
concerned. His life, spent in the search for knowledge, had proved it to
him. But he does not, like Spencer, make it the body of his philosophy.
Through the influence of Aprile he is led to a definite conception of the
Infinite as a Being whose especial characteristic is that he feels!--feels
unbounded joy in his own creations. This is eminently an artist's or
poet's perception of the relation of God to his universe. As Aprile in one
place says, "God is the perfect poet, who in his person acts his own
creations."
As I have already pointed out, the evil of pain, of decay, of degeneration
is taken no account of.
Public-domain text, read in full here on John Shaqi.
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