Browning and His CenturyClarke, Helen A. (Helen Archibald)
Philosophy
Browning and His Century
Clarke, Helen A. (Helen Archibald)
Browning, Robert, 1812-1889; Nineteenth century; Poets, English -- 19th century -- Biography
Other modern thinkers, notably Schleiermacher in Germany and Shaftsbury in
England, have placed the basis of religious truth in feeling. The idea is
thus not a new one. Yet in Browning's treatment of it the conception has
taken on new life, partly because of the intensity of conviction with
which it is expounded in these later poems, and partly because of its
having been so closely knit into the scientific thought of the century.
Optimistically the thought is finally rounded out in "A Bean Stripe also
Apple Eating," in which Ferishtah argues that life in spite of the evil in
it seems to him on the whole good. He cannot believe that evil is not
meant to serve a good purpose since he is so sure that God is infinite in
love.
From all this it will be seen that Browning accepts with Spencerians the
negative proof of God growing out of the failure of intellect to grasp the
realities underlying all phenomena, but adds to it the positive proof
based upon emotion. The true basis of belief is the intuition of God
that comes from the direct revelation of feeling in the human heart, which
has been at once the motive force of the search for God and the basis of a
conception of the nature of God.
It was a stroke of genius on the part of the poet to present such problems
in Persian guise, for Persia stands in Zoroastrianism for the dualism
which Ferishtah with his progressive spirit decries in his recognition of
the part evil plays in the development of good, and through Mahometanism
for the Fatalism Ferishtah learned to cast from him. The Persian
atmosphere is preserved throughout not only by the introduction constantly
of Persian allusions traceable to the great Persian epic, "The Shah
Nameh," but by the telling of fables in the Persian manner to point the
morals intended.
With the exception of the first Fancy, derived from a fable of Bidpai's,
we have the poet's own word that all the others are inventions of his own.
These clever stories make the poems lively reading in spite of their
ethical content. Ferishtah is drawn with strong strokes. Wise and clever
he stands before us, reminding us at times of Socrates--never at a loss
for an answer no matter what bothersome questions his pupils may
propound.
Public-domain text, read in full here on John Shaqi.
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