Browning and the Dramatic MonologueCurry, S. S. (Samuel Silas)
History
Browning and the Dramatic Monologue
Curry, S. S. (Samuel Silas)
Browning, Robert, 1812-1889 -- Criticism and interpretation; Dramatic monologues -- History and criticism
The story, out of which is built a poem twice as long as "Paradise Lost,"
can be told in a few words. Guido, a nobleman of Arezzo, poor, but of
noble family, has sought advancement at the Papal Court. Embittered by
failure, he resolves to establish himself by marriage with an heiress, and
makes an offer for Pompilia, an innocent girl of sixteen, the only child
of parents supposed to be wealthy. The father, Pietro, refuses the offer,
but the mother arranges a secret marriage, and Pietro accepts the
situation. The old couple put all their property into the hands of the
son-in-law and go with him to Arezzo. The marriage proves unhappy, and
Guido robs and persecutes the old people until they return poor to Rome.
The mother then makes the unexpected revelation that Pompilia is not her
child. She had bought her, and Pietro and the world believe that she was
her own. On this account they seek to recover Pompilia's dowry. Pompilia
suffers outrageous treatment from her husband, who wishes to be rid of her
and yet keep her property, and lays all kinds of snares in the endeavor to
drive her away. She at length flees, and is aided in so doing by a
noble-hearted priest. On the road they are overtaken by the husband, who
starts proceedings for a divorce at Rome. The divorce is refused, but the
wife is placed in mild imprisonment, though later she is allowed to return
to her so-called parents, in whose home she gives birth to a son. Guido
now tries to get possession of the child, as, by this means he secures all
rights to the property. With some hirelings he goes to the lonely house,
and murders Pompilia and her parents. Pompilia does not die immediately,
but lives to give her testimony against her husband. Guido flees, is
arrested on Roman territory, and is tried and condemned to death. An
appeal is made to the Pope, who confirms the sentence.
This story is told ten or twelve times, all interest centring in the
characters of the speakers, in their points of view and attitudes of mind.
More fully, perhaps, than any other poem, "The Ring and the Book" shows
that every one in relating the simplest events or facts gives a coloring
to the truth of his character.
Public-domain text, read in full here on John Shaqi.
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